Period setting + military marriage + everyday family life + sweet romance + marriage before love + adorable child
Gan Tang wakes up from a nap to discover she has transmigrated, and not only into the supporting female character in a period novel, but also into a mother, with a child in tow?
Gan Tang says, “Well, well, at least it’s just one child. I can raise them.”
But her husband, who’s stationed far away and hardly ever comes home, already has someone else in his heart. And in the end, she’s destined to wind up homeless and die after being assaulted? That’s more than anyone should have to put up with.
Divorce. They absolutely have to get divorced. She can’t spend another day living like this.
Huo Yuan gets a call from home. He’s supposed to come back to get a divorce, but when he sees Gan Tang, he can’t bring himself to leave.
That beautiful, fair-skinned woman who speaks fluent foreign languages is his wife, Gan Tang?
Huo Yuan decides there’s no need to get divorced after all. He’ll bring her to live with him at the military base.
…
Gan Tang only wanted Huo Yuan to come home so they could get divorced. But because she gave in for a moment, she somehow ends up following him to the military base. She thinks that since they’re here, and Huo Yuan’s superiors are nearby, it should be even easier to file for divorce.
But once she arrives at the base, she discovers that Huo Yuan is a sly old fox.
One night, Huo’s house fills once again with Huo Yuan’s patient coaxing: “Honey, ours is a military marriage. We really can’t get divorced.”
Gan Tang huddles in the corner, clutching the blanket, and accuses him through teary eyes: “You liar! You tricked me, and now you won’t even let me sleep.”
Huo Yuan pounces and pulls away the blanket. “Honey, we’re not getting divorced. We’re going to bed.”
Gan Tang: ...
I skipped watching because I felt very uncomfortable, and wanted to see the abuse of the male protagonist in the later stages, because the male protagonist was probably one of the indirect murderers of the original protagonist, but he never did, and the original protagonist's father wanted to force the original protagonist to marry the Huo family. I felt that there was an intention to whitewash him in the later stages, and kept saying that he had difficulties or something, but maybe because I skipped watching, I didn't find out what the hardships were, and then just whitewashed them directly. I was very disgusted with her, she The father is the direct murderer of the original protagonist, and there is also the child adopted by the male protagonist. The female protagonist only raised him for a few days, and he has a very deep relationship with him. Not to mention, but he always calls the female protagonist Aniang and the male protagonist uncle. It is obviously adopted by the male protagonist, okay? Anyway, I don't understand it. In modern times, after raising a child for less than a month, he has such deep feelings. It's very frustrating. This setting is very frustrating 😢 😢 😢 😢