In the final era when the corpses of the old gods were piling up, the world was split into two realms: inside and outside - the remaining daytime cities in the world were the last refuges of mankind, while the wilderness of night had long been reduced to a hunting ground for the remains of gods and strange beasts.
Noya, a soul piercer who lost her memory, woke up from an unknown world, with "eyes of observation" embedded in her eyes that could see the essence of all things. In this cruel world, she was forced to embark on the "path of divine forging."
Reader comments
(Personal opinion) From my own point of view, the world currently described in this book is very good: a little-explored unknown wilderness blends with the human technological city (White City), mysterious relics and unknown gods, a world with grammatical elements (maybe? I am not sure) and a variety of strange creatures, which constitute the current world view of this book.
The protagonist Noya acts decisively and kills without hesitation; he acts more cautiously and avoids enemies in the fog by calculating time. The dangers in the opening twenty chapters are one after another, from the Mist Reaper to the last fluorescent slug, all of which reveal a corner of the dangerous world. The detailed descriptions of most of the creatures are commendable. At the same time, many pits have been laid, whether it is the identity of the protagonist Noya, the conversation between the god of fun who calls himself "Observer" and Noya, and the attitude towards Noya, or the black shadow when leaving the wilderness, the little girl in Hengcheng, etc. I wonder if we can wait until the time to fill the holes?
Judging from the current plot, this book is not a mindless supporting character novel. The protagonist's talent and golden fingers are very good so far. (The protagonist Noya is simply the King of Nisha, with so many injuries and so many dangers without dying)
Finally, I also hope that the author will be kinder to the protagonist in the following pages. The first twenty pictures are very unfriendly to the protagonist (Dabei)
(Personal opinion) From my own point of view, the world currently described in this book is very good: a little-explored unknown wilderness blends with the human technological city (White City), mysterious relics and unknown gods, a world with grammatical elements (maybe? I am not sure) and a variety of strange creatures, which constitute the current world view of this book. The protagonist Noya acts decisively and kills without hesitation; he acts more cautiously and avoids enemies in the fog by calculating time. The dangers in the opening twenty chapters are one after another, from the Mist Reaper to the last fluorescent slug, all of which reveal a corner of the dangerous world. The detailed descriptions of most of the creatures are commendable. At the same time, many pits have been laid, whether it is the identity of the protagonist Noya, the conversation between the god of fun who calls himself "Observer" and Noya, and the attitude towards Noya, or the black shadow when leaving the wilderness, the little girl in Hengcheng, etc. I wonder if we can wait until the time to fill the holes? Judging from the current plot, this book is not a mindless supporting character novel. The protagonist's talent and golden fingers are very good so far. (The protagonist Noya is simply the King of Nisha, with so many injuries and so many dangers without dying) Finally, I also hope that the author will be kinder to the protagonist in the following pages. The first twenty pictures are very unfriendly to the protagonist (Dabei)
Nice looking, novel type! Come on!
Come on, it looks good