On the day when the Ming Dynasty huanghuali calligraphy table was restored, Jiang Wan used the wrong golden nanmu supplementary corner and it became a token that spanned five hundred years. That night, she was stunned when she looked at the gold-sprinkled paper that suddenly appeared on her desk - it was clearly the "Reflection on the Use of Epoxy Resin" that she had just thrown into the wastebasket, but there was an extra line of annotations in the corner of the paper with a silver hook: "The colloidal ratio is wrong, use seven parts fish maw to three parts peach juice."
Gu Qingyan, the aloof and solemn chief minister in the court, has since been forced to get used to the strange changes in the study: the newly restored "Dazhao Territory Map" has a "wrong scale" note attached, and the ancestral sapphire pen wash has colorful plastic straws soaked in it. Until one day, he saw Jiang Wan emerge from the dark drawer of the folding bookcase with his own eyes, holding half a piece of mortise and tenon in his hair, and hanging around his neck was the ivory waistband that he had lost yesterday.
She laughed at him as "an old-fashioned person who has never even seen a projector", and he ridiculed her as a "little liar who even drew the bracket structure wrong". When the elder of the Jiang family who urged the marriage pushed open the secret room of Tingxuezhai, he saw the "Evening Lights in Linyuan Picture" with intertwined light and shadow hanging out of thin air in the Gu Mansion Ancestral Hall - the girl in a sweater was pouring Coca-Cola into the pine smoke and ink of the chief minister.
