Qing Palace Ci: Mountains and Rivers Ashes

"The Ember of Mountains and Rivers" is a time-travel masterpiece that breaks the convention. Using a dragon-patterned jade pendant as a guide, it weaves the fate of Lu Chengyi, a descendant of Xianghuang Banner, and Shen Xiaotang, a cultural relic restorer, into a magnificent picture that spans time and space. The author cleverly combines the historical depth with the lightness of romance. The cornices of the Forbidden City and the Munich Bell Tower resonate in the moonlight, and the Dunhuang murals and the Chang'an Underground Palace are deciphered with laughter. The novel is based on "cultural relics + comedy". It not only has the absurdity of snail noodles causing a disturbance in the imperial kitchen, but also has the brain-burning task of deciphering the star map of the two cities. It also contains the profound meaning of "using cultural relics to express feelings". The characters are as vivid as the page - the fourth master's dramatic nature and Xiaotang's cold-faced complaints collide with each other, Yu Mao's scene-stealing skills are top-notch, and even the villain Wang Ge's "pickle jar smuggling" is full of black humor. In the narrative intertwined with laughter and suspense, the fire of Chinese civilization is rekindled in the most youthful manner, making people understand with laughter and tears: the true cultural heritage is never a rigid reproduction, but allows history to be reborn in the love-hate adventures of contemporary people.