A Qing Dynasty Transmigration: How to Live Well in a Feudal Society

A different version of Ruyi's Royal Love in the Palace, this Qianlong is smarter than the one in the drama, and feels more historical, less inferior to his son-in-law, and less likely to have chaotic forces. The heroine gave birth to three children, making Kangxi and his eldest brother and second brother become brothers in this life. It was hilarious. Mazi experienced the feeling of his own prince being watched. He looked forward to more of his sons becoming brothers with him. It would be fun.

Yes, there are really very few stories about Ruyi's Royal Love in the Palace that write about the normal Qianlong period. They all write about the normal Qianlong period. The heroine is well versed in the Taoism. A golden finger means that she is in good health and is not so unfaithful.

I think it's okay. The heroine is a bit silly and sweet, but everyone in the original drama is three-dimensional. Jin Yuyan was attracted by Zhenshu and had a deep love for mutton skewers. Ruyi is a person with a mushroom-shaking love head, etc. The emperor also looks like an emperor, and the queen also has the queen's plans. Jinzhong's origin and Baxin's identity are briefly mentioned in the backstage, but the logic is complete and completes the ambiguous plot in the play.

It's not bad, it's not a stupid story, it's an upgraded version of Ruyi's Royal Love in the Palace. The heroine is sober and doesn't love Zha Zhalong. She works hard to give birth to a child step by step. The child turns out to be Uncle Kang [laughing] Zha Zhalong is the fourth elder brother in Zhen Huan's Legend. Qingying is indeed a poisonous woman in the Ulanala family. The small backyard is really weird.

The heroine wears a book to clear the palace without fighting in the palace, and the Buddhist salted fish wins! While others are vying for favor and taking advantage of others, she relies on her small golden finger to stick to her heart, is kind but has a bottom line, and never causes trouble by overflowing with a virgin heart. She is optimistic and cheerful with a sense of healing, and leads a happy Buddhist life. In the early stage, he was protected by Qianlong's sole favor, and he was able to avoid the open and secret arrows in the harem without getting dirty. In the later stage, he was protected by Kangxi, Jiulong and others, and he became the most comfortable exception in the ups and downs of the harem. There is no exhaustion of intrigues, no helplessness, the heroine walks out of a feudal palace with a pure and transparent voice, and walks a unique road for salted fish. The whole process is healing and decompressing. If you are tired of watching palace battles, you must read it!

The writing is very good, very comfortable, and the Golden Finger is also very good, but why does the son born to the heroine not look like an ordinary person. But anyway, it looks great, come on!!! Five or six chapters updated every day

It's very well written, why is it rated so low? Maybe it was just finished in February 2026, so the score is a little lower? Anyway, I think the novel is quite interesting and funny. As long as it makes me happy, it's a good book!! The heroine has a good character, is determined, and treats people sincerely. Her husband is also very doting, and her son and daughter are also filial. (PS: The children are all big bosses, and their identities are not simple 🤭) The overall story is humorous, and there is no cruelty in the whole text. The heroine has been carefree and happy throughout her life. Haha, it's fun anyway. Recommended!!

It looks good. The heroine is very ordinary and she is just lucky. She has an IQ that is similar to that of a normal college student. It is neither high nor low. The subsequent children are also very interesting. The first child gave birth to Mazi, the second child gave birth to Ma Bao and Prince Zhi, the third child gave birth to the Queen Mother Xiaozhuang, the eighth female version and the ninth female version. The fourth child gave birth to Thirteen, Fourteenth, Seventeenth, and Princess Kejing (male version). Except for the fourth set, which was described a bit quickly and directly showed off the cards, the first three children were not known until they were several years old, and the emotional atmosphere and family affection were well portrayed. The fourth-born children were no longer so affectionate and just rolled up their sleeves and entered the political stage. As for Hongli... He was immediately hung up with his mouth turned upside down. The heroine is basically only responsible for bringing up ideas, whether they are used or not depends on the child's arrangements. In the later period, Hongli was really pampered. But it may also be like what the author wrote, please please whoever is in charge. The later side story is very interesting, Hongli is monogamous. It can be regarded as making up for the regrets of the previous three palaces and six courtyards. Just play True Love.

This one is really good! Especially the author's control over the heroine's character is very authentic, and she is very firm, clear-headed and self-aware from the beginning to the end. We can see what will happen to a daughter raised by wealth in a feudal society. 🤭🤭🤭

There is one point that is relatively novel. Traditionally, if the heroine gives birth to a cute child, she will definitely be liked and affirmed by the hero's father. In this book, Jiu Jin did not appear in front of Yong Zheng until Yong Zheng's death.