Several years after graduating from high school, the former "Dark Flame User" Tomi Yuta and his "Evil King True Eye User" Kotori Yurikka are still closely connected by the contract that originated from youth and frivolousness, but is extremely sincere. Together they entered a new stage called "university", or had their first taste of the youthful experience of entering society.
However, the road to growth is not easy. When the pressure of schoolwork, future plans, the complexity of interpersonal relationships, and even the invisible discipline of "normal life" come like a tide, the world of "chuunibyou" seems to become more and more out of place in front of the solid wall of reality. Yongta tries hard to find a balance between protecting Rikka's pure world and guiding her to adapt to reality, and his heart is filled with longing and uneasiness about the future. And Rikka, can the "invisible boundary line" seen by her "Evil King's True Eye" still remain clear in the face of the increasingly heavy reality? How will her "lovers' contract" with Yongta be verified and sublimated in new tests?
At the same time, Tanshitani Morika repeatedly struggled between trying to get rid of the past and embracing her true self; Sanae Tagumori faced the choice of following the footsteps of her master and finding her own path; Anise on May 7th watched the growth of her friends with her usual laziness... The members of "Far East Magic Siesta Club Summer", even if they are scattered around the world, the bond with each other still exists.
This is a story about love and growth, about how fantasy finds a place to live in reality, about the contract signed under the second grade, and how to write a new chapter under the baptism of time. When the boundary of reality is approaching step by step, can their love become a photograph?
Reader comments
After reading half of it, I summarized the following points:
There are no problems with the writing, which can be said to be at an upper-level level. The plot is also coherent. The overall plot feels good. The number of words in the chapters is sufficient and the updates are diligent. This is worthy of three stars.
The other two stars are that this book has a lot of flaws. The first is the title of the characters. First, the introduction of this work has already stated that the plot of this work is about college life after graduating from high school, so the names of the characters in high school should be continued.
For example, in this work, Yuta is called "Yuta-kun" and Rikka is called "Rikka". In Japan, calling them by name is a very affectionate behavior. No matter in the original novel and animation, Tan Shengtani and Yuta Rikka are classmates and should be called by their names. There is also the "kun" in "Yuta-kun". In Japan, kun is a suffix that expresses respect. It is usually placed after the name to express respect. Since the name is already used, adding kun is not a rigorous expression.
There is also the issue of personality. Judging from the character design of this work, the biggest problem is that Yuta and Tan Shengdani follow the original work. First, let's talk about Tanshitani: Tanshitani has graduated from Chuunibyou, and hates things about Chuunibyou, and the couple Yuta and Rikka also wants them to be together every day. However, Dan Shenggu in this work occasionally says Chuuni's words, and there is already a problem with the title of Toshou. For example, in the VR experience hall, when Rikka and Yuta were about to kiss, Dan Shengya interrupted with a cough.
Let's talk about Yongta's character issue. This work is also the opening lightning strike, staged the dramatic conflict between Yuta and Rikka. However, it is impossible for Yutai's original character to be angry with Rikka, let alone to be angry with Rikka. Moreover, Yuta has made a statement through the movie version: No matter whether it is the evil king Jingan or Rikka, he will love her. Yongta has become accustomed to Rikka's chuunib behavior. Even if Rikka speaks the chuunibori flower language to Sasaki and Tanaka, Yuta will translate and defend it according to Yuta's personality. Also, Yongta will not throw all the uneaten food into the trash can. In the play, Rikka is also reminded not to waste food, and it is even more impossible to do this kind of behavior.
Another big drawback is the scene where Rikka is brought to meet her parents. Since this work is a college chapter after high school graduation, in the original work Rikka has been living with Yuta for a semester, and everyone in Yuta's family already knows each other. It is impossible not to know Yuta's mother and sister.
The above is the shortcomings of half of my viewing. The characters are OOC and the plot cannot connect with the original animation. Since it is a chuunibyou fanfic and it is a college chapter, it still needs to follow the plot development direction and character creation of the original work.
After reading half of it, I summarized the following points: There are no problems with the writing, which can be said to be at an upper-level level. The plot is also coherent. The overall plot feels good. The number of words in the chapters is sufficient and the updates are diligent. This is worthy of three stars. The other two stars are that this book has a lot of flaws. The first is the title of the characters. First, the introduction of this work has already stated that the plot of this work is about college life after graduating from high school, so the names of the characters in high school should be continued. For example, in this work, Yuta is called "Yuta-kun" and Rikka is called "Rikka". In Japan, calling them by name is a very affectionate behavior. No matter in the original novel and animation, Tan Shengtani and Yuta Rikka are classmates and should be called by their names. There is also the "kun" in "Yuta-kun". In Japan, kun is a suffix that expresses respect. It is usually placed after the name to express respect. Since the name is already used, adding kun is not a rigorous expression. There is also the issue of personality. Judging from the character design of this work, the biggest problem is that Yuta and Tan Shengdani follow the original work. First, let's talk about Tanshitani: Tanshitani has graduated from Chuunibyou, and hates things about Chuunibyou, and the couple Yuta and Rikka also wants them to be together every day. However, Dan Shenggu in this work occasionally says Chuuni's words, and there is already a problem with the title of Toshou. For example, in the VR experience hall, when Rikka and Yuta were about to kiss, Dan Shengya interrupted with a cough. Let's talk about Yongta's character issue. This work is also the opening lightning strike, staged the dramatic conflict between Yuta and Rikka. However, it is impossible for Yutai's original character to be angry with Rikka, let alone to be angry with Rikka. Moreover, Yuta has made a statement through the movie version: No matter whether it is the evil king Jingan or Rikka, he will love her. Yongta has become accustomed to Rikka's chuunib behavior. Even if Rikka speaks the chuunibori flower language to Sasaki and Tanaka, Yuta will translate and defend it according to Yuta's personality. Also, Yongta will not throw all the uneaten food into the trash can. In the play, Rikka is also reminded not to waste food, and it is even more impossible to do this kind of behavior. Another big drawback is the scene where Rikka is brought to meet her parents. Since this work is a college chapter after high school graduation, in the original work Rikka has been living with Yuta for a semester, and everyone in Yuta's family already knows each other. It is impossible not to know Yuta's mother and sister. The above is the shortcomings of half of my viewing. The characters are OOC and the plot cannot connect with the original animation. Since it is a chuunibyou fanfic and it is a college chapter, it still needs to follow the plot development direction and character creation of the original work.