She is a girl in a coat from a mountain village. The red mole on her wrist was once regarded as a "lucky star" by her adoptive mother. She is also the bead of the prince's family, and the blue dragon jade pendant hides the mystery of her life experience for eighteen years. When the imperial edict of the Jinluan Palace tore through the morning mist in the mountain village, Bai Jinshu stepped on the embroidered shoes and crossed the threshold of the Marquis Mansion, only to step into the turbulent situation of the prince's succession.
The third prince Pei Xingzhou used the "auspicious red mole" as bait to involve her in the whirlpool of northwest military supplies; the fourth prince Pei Xingyuan coveted her life experience and beauty and secretly spread rumors of "twin destiny". The court is like a chess game. She is both the apple of the prince's eye and the living chess piece in the hands of the prince - her bare hands can embroider lotuses and mark secret passages on maps; her soft shoulders can carry the etiquette of the prince's palace and hide military sentiments during banquets.
From a "peasant girl" to the "third prince's concubine", she alternated between reciting the Book of Songs and military strategies, and shuttled between the embroidery silver needles and the light of the court swords. When Pei Xingzhou concluded the marriage contract with "each takes what he needs", she quietly transformed in the confrontation of power and intrigue: the coarse cotton in the wedding dress concealed the tenacity of the mountain village, and the cinnabar shaken by the golden steps remembered the dignity of the Hou Mansion.
This is not a simple battle between phoenixes and phoenixes, but a battle between interests and dignity. The red mole points to the will of the people and the direction of power; the game between Canglong and Xuanwu will eventually unveil the bloody prelude of "a noble woman seeking a country" under the wind of the northwest and the moonlight of the capital.
