Crematorium literature + stand-in literature + double death aesthetics triple critical attack
Twelve years ago, Helian Yun's tribe was burned in a sea of fire. The orphan girl Helian Xue survived with a blood-stained silver bell. However, twelve years later, she put on a wedding dress embroidered with the totem of genocide and became the bride of her enemy Xiao Jamyan. On the wedding night, flames appeared in the lining of the wedding dress - it was a secret message for help written by the mother in her bones and blood. Every word of her tears revealed that the groom was the murderer of the clan. The silver bell drinks blood and makes a sound, and the memory sealed under the cinnabar mole is like a knife gouging out the heart. She awakens in the severe pain of gouging out pupils, shedding skin, and changing hearts: the silver bell on her wrist was originally a relic of Concubine Chen, and the tongue of the bell is entangled in her mother's parched hair. When the three life monuments were combined to reveal the truth about the mutual stabbings in the previous life, the heartbeat of the fetus resonated with the drumbeat of the deceased's skull, and the double rainbow turned into the tongue coating of the tribal souls. She finally stabbed her lover's heart at the altar, but saw the statue of the god diluting the fatal wound with tears. When the flames burned her body, the silver bells and tongues revealed her extracted teeth, and the furnace fire reflected the grassland where they first met - it turned out that love and hate had long been engraved in the bones and blood, every hug was a fateful hanging, and every tear was rewriting the crime and punishment on the Sansheng Stone.
