[The young emperor has a paranoid desire for control + the charming dancer hunts the dragon in white and cuts the black] [Manual of falling in love, killing each other and fishing for each other | Every chess piece will backfire] [The lower person takes power + the upper person gambles]
She uses gentleness as a blade, and he uses the country as a chess piece.
When we first met, she was a dancer in the eldest princess's palace with her eyebrows lowered and her head lowered. Her exquisite figure concealed unknown ambitions; he was a young emperor who was hampered by his relatives, and his ambitions were trapped in the palace intrigues. He favored her every night and defeated the Phoenix. She responded with three games of Linglong Chess: "In the first game, you bet on you regaining control of the tiger talisman. In the second game, you bet on me ascending to the phoenix throne. In the third game..." The emperor and the empress have always been symbiotic partners. She helped him wipe out the barbarians and reform the country. He promised her that her mother's family would be noble and her son would inherit the throne. However, at the top of the mountain, because of a "witchcraft" rumor, half of her life's love was crushed in the white silk of Changle Palace.
Powerful plots and love are intertwined, and there is no sincerity in Changle Palace.
When the "virtuous queen" and the "heroic lord" become the sharpest masks, is what is hidden in the deep walls of Yong Palace the love of the emperor, or the mutual domestication of two Machiavellians?
Reader comments
It feels like the story of Wei Zifu and Emperor Wu of the Han Dynasty
It feels like the story of Wei Zifu and Emperor Wu of the Han Dynasty