[Rebirth + Double Cleansing + Abuse and Slapping in the Face + Military Marriage + Arrogant Parents + Raising Children]
It was only after Su Dongchun died that she realized that she was just the cannon fodder ex-wife who died young in a novel about era widows. She was lazy and greedy and abused her son. She even sold her son to make money and ran off with a wild man.
She exists to set off the gentle and kind-hearted widowed heroine, and to maintain her chastity for the dead man.
In fact, the male protagonist did not return home after five years of marriage. She and her child were abused by her husband's family. When the traffickers snatched the child away, she was beaten to death after searching hard for her child.
The son's hands and feet were also cut off and sent to beg, and he froze to death in the heavy snow.
After the male protagonist came home, everyone told him that he couldn't bear the loneliness and ran away. Then, under the tender love of the female protagonist, the two finally became a couple.
The reborn Su Dongchun lost his cannon fodder ex-wife, stole money from her husband's family, took her son to find the male protagonist, and slapped the first person he met.
She doesn't care what the other party thinks. Even if she gets divorced, she has to get back the money to raise her son. She can't give the heroine an advantage in vain.
If you see the heroine causing trouble, you'll go up and beat her up, and then you'll be satisfied first.
But the man who didn't come home was willing to be beaten and scolded with red eyes, and took great pleasure in waiting for her to take a bath and wash her feet.
Forget it, hold him tight first, and then you can still hold on to the man's money even if you get divorced.
Later, the man felt aggrieved: Wife, the baby and the money are yours, and I am yours too.
(There is an unconventional space, which does not have a large presence. It only supports the heroine's career line.)
Reader comments
It feels like rebirth is rebirth without changing the IQ. The male protagonist doesn't feel very borderline at first, and then people don't feel that he has the charm of being a male protagonist. But overall, I finished watching it and it was pretty good.
I really like the interaction between the male and female protagonists, and the male protagonist really can't see other people's back-and-forth manipulation. From the front, I thought that the male protagonist had no sense of boundaries on purpose. But from the back, I found that the male protagonist really didn't do anything. His bad love was purely based on the bad love. However, in the previous life, the male protagonist remarried soon after the heroine's death. It was not clearly written. In the article, the female protagonist also said in her heart that there was no answer to why the male protagonist remarried so quickly. No. It must be that Ruan Sisi's method of framing Liang in this life was used in the past life of the male protagonist, and why the trafficker knew about the female protagonist and deliberately kidnapped her. Unfortunately, there is no extra story about the past life, and the person who secretly hid the heroine's letter did not get any follow-up. He just said that there was no way without evidence, but it was okay not to go back to the village to deal with her. After all, the male and female protagonist would not go back in the future, and there was no need to go back to the village for her.
It looks good, but the male protagonist has too many peach blossoms.
It feels like rebirth is rebirth without changing the IQ. The male protagonist doesn't feel very borderline at first, and then people don't feel that he has the charm of being a male protagonist. But overall, I finished watching it and it was pretty good.
I really like the interaction between the male and female protagonists, and the male protagonist really can't see other people's back-and-forth manipulation. From the front, I thought that the male protagonist had no sense of boundaries on purpose. But from the back, I found that the male protagonist really didn't do anything. His bad love was purely based on the bad love. However, in the previous life, the male protagonist remarried soon after the heroine's death. It was not clearly written. In the article, the female protagonist also said in her heart that there was no answer to why the male protagonist remarried so quickly. No. It must be that Ruan Sisi's method of framing Liang in this life was used in the past life of the male protagonist, and why the trafficker knew about the female protagonist and deliberately kidnapped her. Unfortunately, there is no extra story about the past life, and the person who secretly hid the heroine's letter did not get any follow-up. He just said that there was no way without evidence, but it was okay not to go back to the village to deal with her. After all, the male and female protagonist would not go back in the future, and there was no need to go back to the village for her.
It looks good, but the male protagonist has too many peach blossoms.
It's okay, it's pretty good-looking