Hidden in the takeout box on a rainy night is the spark that will rewrite the history of film and television investment.
When 28-year-old Lin Wantang rode a shared bicycle through the neon lights of the Financial City, she had no idea of the battlefield she was about to enter—the film and television world eroded by data bubbles and capital games. From a tea room girl to a rising star in the investment circle, she captures the undercurrents of the industry with the agility of a takeaway rider: the recording device in her lipstick records the hidden rules of the wine shop, the evidence chain solidified by blockchain technology tears apart the money laundering shady, and the emotional value measured by the AI system is reshaping the script ecosystem.
In this male-dominated vanity fair, every step she takes is filled with the determination of a lone brave person: she spent three months to overcome three major difficulties, develop the "Her Economy" project from a female perspective, and make the industry's black list public, the entire capital circle was shocked. When the industry-wide joint stranglehold came, the road show she led her start-up team to complete in an abandoned warehouse became the first ray of light to break through the industry's haze.
Private equity upstart Shen Yanhan is pressing harder, gold medal producer Jiang Lin is secretly helping, and the looming redeemer in childhood memories is intertwined into a web of desire and true love. And she always remembers the prophecy she uttered on that rainy night: "Data may lie, but the light of human nature is always true."
This is a workplace apocalypse about women's awakening, and it is also a hunt for light that subverts the rules of the industry. When all the voices say "impossible," someone has to be the first to break the glass ceiling.
