
The Soul Traveled Through the Ancient Military Camp, Just When the God of War Was a Boy!
魂穿古军营,恰逢战神少年时!
- Status
- Completed
- Length
- 1.5M Words
- Genre
- Ancient Romance
- Subgenre
- Palace & Household Intrigue
- Audience
- Female
- Updated
- 6mo ago
- Source
- Fanqie
Stats
150Reads
663Chapters
17Listens
8.9kReads · all time





It only represents my personal opinion: This article is a good article that deeply captured my heart. Between the lines, I saw Gu Panzi's original fear. In the context of the times, she tried hard to maintain her self-esteem. In order to be with the male protagonist, she suffered injustice and injury, but she loved the male protagonist bravely and fought to be with the male protagonist. The overall background is more in line with my imagination. I don't know if it is true, but it feels very real to me. When facing life and death for the first time, the heroine has no golden fingers. She relies on some memories and racks her brains to survive. Everything after that is not that she is invincible just because she is the heroine. She will still be injured, defeated, and at a disadvantage. She has received modern education and is soft-hearted and kind-hearted. From seeing the fear of killing to being indifferent to killing, I admit that when the male and female protagonists first met, the male protagonist protected the female protagonist. However, after that, the male protagonist wanted the female protagonist to be with him, which made the female protagonist suffer a lot. In fact, I wonder if the so-called temptation of the male protagonist towards the female protagonist is also related to the prophet of the female protagonist. I don't think the female protagonist has the ambition to be a soldier and make contributions. The male protagonist has also done a lot for the female protagonist, but even though he is the male protagonist, there are still traces of that era. He cannot make the female protagonist a legitimate wife. He also clearly told the female protagonist that she cannot escape, and asked the female protagonist to follow him as a subordinate. The female protagonist does not need to bear these. The male protagonist also told the female protagonist that she must have real strength to resist contempt. I really feel that the female protagonist has endured a lot. She is just an ordinary social animal. The female protagonist is really an optimistic person. When I brought her in, I was afraid that she would leave when Mrs. Qin humiliated me. However, the male protagonist has great power and obviously cannot leave. I deeply understand the fear and helplessness of the female protagonist, who cannot escape. Later, after the male protagonist becomes the emperor, the female protagonist's situation can be regarded as extremely serious. Obviously, she was still under oath before. In the mountain alliance, the male protagonist thought that he was the only one, but now, it has become his weapon. The male protagonist did not explain his neglect at all. He issued orders to kill one after another, and the female protagonist passively endured everything. I even felt that the male protagonist treated the female protagonist as a forbidden concubine and called her over when needed... It was too painful. I didn't dare to watch it. Fortunately, the two of them explained it clearly later. I feel that the inner monologue of the heroine is very torn, and there is a sense of separation. In the past, there was a gap between the identity of the heroine and the details of the feelings. Under the oppression of the old lady, this gap should have reached its peak, but the heroine did not seem to vent it. Only some smiles froze these foreshadowings. I thought the heroine would be shaken or complain to the hero, but neither. I thought the heroine would become numb after experiencing emotional intelligence. The result is still It's like the previous one, maybe because I'm a more emotional person, and my feelings for the heroine are inevitably mixed with my own thoughts. After the hero became the emperor, the heroine's character became even weirder. She felt the hero killing people, and her former colleagues were being dealt with. The heroine was only afraid, never changed her love for the hero, and never thought about escaping (probably because she knew she couldn't escape). Maybe it was also an inevitable assimilation in the background at that time.
It is a book I like very much. I followed it until the end. The three views are also very positive. The female protagonist travels through ancient times and grows and experiences together with the male protagonist. It talks about the love between the male and female protagonists and the governance of the country and the world. There is no love brain and no belittling of the ancients to highlight the protagonist. Each character is three-dimensional and vivid, and the villain also grows and changes. The male protagonist is handsome not only because of his appearance but also because of his powerful ability. And the consistent treatment of the heroine. The heroine worked as a soldier, then as an official, followed the fleet abroad, and finally became a queen. This life is quite colorful [laughs]. Through her perspective, she saw the bottom of ancient times, the sinister officialdom, the struggle of human nature, and the efforts of the ancients for the development of civilization. [Like] It's a very interesting book. I will read it a second time, and cheer for the author! [Love][Love][Love][Love][Love]
Code wording is simply a kind of mental massage!
The content is novel, anti-routine, and it's okay!
I came across this book by accident. The subject matter is unconventional, the characters are three-dimensional, and the emotional descriptions are natural. It is worth recommending! Come on, author!