The Ming Dynasty Restarts: at the Age of Three, He Ascends the Throne and Proclaims Himself Emperor

A book with a score of 9.0-9.5 This book ranks second among the late Ming Dynasty novels I have read so far. The first is about a warlord who slowly started his career in Anqing. The book is too detailed and immersive. It has not been surpassed. It is just that the update is a bit slow. The writing and content of this book are very good. It combines many modern people's emotional expressions and is relatively humorous. The little emperor became emperor for the first time. Although he had ideas, he was trapped by the bureaucracy. Things also have their own development trends. Often ideas run counter to reality. Problems can only arise and be solved continuously, and then they are trapped in this system... The reading experience is quite good, the logic is there, the writing is good, and some details are there. Everyone should be encouraged to score high!

It's well written. If this subject matter is written more profoundly and keeps going, writing more than two to three million words, it will at least be another masterpiece of Ming historical novels. Overall, don't write too hastily. In that environment, talent is the most important. If you have people, you will naturally have money and power. Also, the ten strategies written earlier are too vague and unlikely to be accepted by the interest groups. Don't push it when you don't have the strength. Writing this way is more realistic. Overall, I have the outline figured out. At the age of three, he took control of the government under the guise of others. Five years later, he retained most of it and replaced it with a part that he cultivated. Ten years later, keep the small part and replace it with the big part. Fifteen years later, replace it with your own. The original history of Chongzhen was 17 years, and it was obvious that complete control could be achieved around the 15th and 16th years of Chongzhen. Civil unrest can still exist but on a reduced scale. At the age of 18, I took full responsibility for the government and laid a solid foundation in the front, and then the pace of writing will be smooth.

It's very beautiful, and the descriptions of many places are very good, especially the treatment of historical celebrities. Many celebrities are willing to die for the Ming Dynasty, but first of all, they belong to the privileged class. Why would you be completely loyal to you and betray the entire class with just a few words? This book is handled very well, good luck to the author! !

You can definitely take a look at it. The characters are full-bodied and the story has ups and downs. Everyone has their own unique image. It is not just a flat or flat character. The story is interspersed with emotional conflicts, conflicts inside and outside the palace, which are very good and interesting. This is the breaking point of the story. If the story becomes more streamlined, it might as well be published.

Generally speaking, it's okay. The protagonist is an adult, but he looks like an Oedipal who lacks maternal love.

Chapter 22 [5 Stars] The opening pace is good, the writing is also good, and the plot is even better. The depiction of the political ecology of the harem is also okay, and some of the main characters are relatively three-dimensional, especially the protagonist's use of dreams to convince the emperor's father to value him, and the part about inheriting the throne. It is very impressive, but some political compromises are still inevitable (it is just a joke to lay out the ten future policy directions at the beginning, but he is only three years old when he takes the throne, so he can also forcefully explain the past). Chapter 108 [3.5 Stars] The writing style is indeed excellent, at least the previous couplets are wonderful! ! ! Many of the plots are a bit illusory and a bit real. The filters on historical figures are removed and more character traits are added to various historical figures (it is true that historical villains are used, but I think there is really no good or bad in real politics, only right and wrong). In the early stage, the protagonist's operations are often a bit childish, and there are often various tricks, but there are also people who wipe the butt, until the protagonist falls out with everyone. The overall reading rhythm is good, the scene switching is natural and vivid, the writing is very good, the reading is smooth, there is political struggle, and there is humor. There are also few entry points and observation points. The handling method is also different. The drama is definitely enough. In addition, there are some cultural heritage that I really can't understand... But there are many problems in the subsequent plot. It feels like there is some reversal for the sake of reversal. If you really want to create a fight without breaking. In the court environment, words such as a complete break with the cabinet cannot appear. If you break with the cabinet in the past and cooperate again in the future, it will not feel real, but a joke. If there is a real break in politics, it will be unremitting and there is no intention to relax. It is like a party struggle. This is a struggle for power, not the capricious calculation of national interests, so based on this, it can only be classified in the second category. The first blow of the reform was to attack the feudal king. Isn't the order wrong? Although it would be easier to deal with the things that depend on the feudal king if you directly take over the feudal king. Although the timing of choosing the protagonist is not wrong, but even the feudal king has been attacked. If you want to engage in other things in the future, the resistance will be great, and people have already been prepared. Also, although Empress Zhang's change can be explained, after all, she can even influence who becomes the emperor, which shows that she does have considerable influence among the nobles. When she senses that the emperor wants to move the nobles, she will start to fight back and protect her. However, she was born as a commoner. Even if she becomes a noble, she is the wife of the emperor and the mother of the new emperor. She is also mainly dependent on the imperial power and can be with Xungui has common interests at some moments, but she is not Xungui after all. So if you, a bad author, really turn this empress who is famous in history into a complete villain, and then try to whitewash her later, I will never stand it. No matter how exciting the sequel is, there must be a limit to everything. The villain who wants to be whitewashed cannot be completely discredited, and there must be a bottom line. The feeling of the subsequent plot is that it is all kinds of chaos, with constant internal fighting and internal fighting. According to the current situation, although the two queens have withdrawn, there are two kings intervening in politics, and the implicit meaning is that Zhang Yan will still jump out to be the villain from time to time. It is really outrageous. I can't watch it without completely throwing away my brain. The emperor has a lot of troubles and it doesn't go smoothly. I didn't feel relieved even if I threw my brain away. And Huang Taiji didn't take the opportunity to invade because of the serious internal fighting. Also, the protagonist has always wanted to move the capital to Nanjing because of the shackles. This, really, Shen Jingbing (I can't stand it anymore, so let's leave it like this. Since the author is so desperate, I can only say that you are happy)

To be honest, the writing is really good. The only bad thing is the setting of the Queen Mother and the age of three. Three years old, three years old is used throughout the whole text, but it doesn't matter. I think this book has automatically converted three years old into thirty years old [awkward laugh] [awkward laugh] The Empress Dowager Zhang's part is actually OK. If it were not written like this, wouldn't this book become a completely enjoyable book? I watched it for nearly ten hours and only finished a quarter of it. The writing is really good. Although it is a bit toxic, it is very logical.

The writing is quite good, well-founded, and the writing style is also very good and thoughtful. Overall, the writing is quite objective. Although some details are wrong, no one is perfect. What's written on the back is getting more and more pretentious. The more I read it, the more pretentious it becomes. I feel uncomfortable looking at it. Say goodbye.

The writing is not bad, I am sure some people will like to read it, the logic is clear, the power struggle is masterful, many plots are well designed, and there are climaxes one after another. What I don't like is that there is too much text on the political aspects and less description of the aspects of time-travelers using the knowledge of later generations to improve productivity.

This is the first time I use the word texture in a Tomato novel. There is no doubt that this is a very high-quality book that is worth turning back and reading again. Although there are some things that I don't quite understand, I thought they were poisonous points at first: some parts are about the humiliation of the female supporting role (female officials next to the emperor), sudden conflicts with the cabinet, etc. But after looking at it, I must admit that the flaws are not concealed. I even have a feeling that the author is metaphorizing or hinting at something to the readers (or maybe I am over-interpreting it). All in all, this is a good novel and deserves a high score. I missed something mentioned above, and there was also a sudden conflict with the Queen Mother. My memory was not good, so I only remembered it after writing it.

The content is full, and it is a controlled, sensible and logical article.

Hey, actually the author's background is very good, but the novel is not realistic, there are too many palace battles, and the introduction of the characters' backgrounds is too detailed. A passerby wrote half a chapter to introduce the source (the details are extremely detailed, and he worked very hard). . . . It feels like a female author transformed into writing alternate history. Generally speaking, it exceeds 80%. A low score probably means that Gongdou is not Gongdou, isolation is not isolation, and domineering is not domineering. But whether it's a palace fight, a stand-up, or a domineering one, it's all very well written, but the details are still poor. 8.5 Points, worth watching if you have the patience.

This is a very good book, one of the best among late Ming Dynasty novels. The author's writing skills are very terrifying, the plot is smooth and there is no sense of abruptness, and the plot logic is flawless. The restoration of historical figures is really well done. In history, Qian Qianyi was a member of the Donglin Party. He surrendered to the Qing Dynasty and received the title of "Water is too cold and the scalp is itchy". But this man was secretly able to use his family property to support the resistance to the Qing Dynasty. There are also shortcomings. The event compression is very serious, which is comparable to playing StarCraft. The policy is like free money. As I said, time is short and the task is heavy. Especially the war aspect is very poor. There are serious distortions in terms of army quantity, quality, weapons production and food. But despite its faults, this novel is very good. It ranks second among the historical texts I have ever read. Ranked first in the Ming Dynasty category.

It is highly recommended by bookworms with more than 2,000 hours of experience. Readers who like history can give it a read. In the process of reading this book, I followed the author to think and improve some of my historical knowledge or views on some things. Anyway, I feel that the author is indeed talented and has a good understanding of the bureaucracy within the system. Anyway, reading it will give you a certain understanding of some politics and broaden your horizons. Anyway, it is a good book. There are no skipping chapters or peeing spots throughout the whole process, which is highly recommended.

Such a good book! The description of Game of Thrones is detailed, reasonable and not dark, and wisdom and light coexist. I have read a lot of books on strategy before, but unfortunately they were either too cannibalistic and aloof, or too incompatible with the authority of the superiors. This book can be said to be both! Literary talent is also good! It describes the sharp intuition of top politicians. Many things cannot be detected by repeated thinking like ordinary people do. It can be said that it has a sense of reality.

The author deserves the honor for Xie Gong's fight! What a talent!

I watched it with the mentality of reading a refreshing novel, but I couldn't find any faults or poisonous points at all. The characters were portrayed like flowers in the fog, making it unclear and dazzling, but they were also meticulous and completely vivid. It was really surprising. There is no doubt that it is a very rare masterpiece, and it is very nice to calm down and look at it.

The characters are created with flesh and blood and souls, and the plot design is also realistic. The protagonist, as a young emperor, struggles for power and ideological confrontation with various identity forces within the framework of the feudal dynasty and depicts it very realistically. There are some flaws in this article, but I was really surprised to see such a good book with great care and effort in Tomato, a place where cool articles are everywhere. I hope the author can stick to it until the end.

In tomatoes, this is grass jelly! The writing style is first-rate, the knowledge is profound, the allusions are readily available, and the thoughts are unconstrained, like an antelope hanging its horns, one word is perfect! Currently the top 1 in Tomato Mingmo articles! Don't accept any questions!

Tied with Chapter 787, it is a very good historical article worthy of a high score and is on the top list. It is textured and layered. The character descriptions are dazzling. The antelope hangs its horns. Many characters have no facial features at all. The author wrote it carefully. Except for the protagonist, all the characters are dazzling. The characters are very exciting and stunning, with a strong sense of immersion. The protagonist is three years old and is a poisonous point. He has no words, no political stance and no explanation for the two empress dowagers. His casual disdain and contempt for women are also a bit poisonous... In short, the rating of 8.2 Is too low at the moment.

Well written, informative, and the characters are wonderfully drawn. It would be nice if there were more notes. I am very ignorant and I don't know many of the allusions. I hope the author can be considerate [face covering]

The author's writing is still very good, and the edicts are written in classical Chinese at a high level, and the logic is all right. However, the pace is a bit slow. It is still three or four years old after 400 chapters. At this pace, it can last forever. If you like to read historical fiction, you can read it. Note: There is no system and it is not a good article.

This is the second book I've read this year, and it's a well-written historical novel. Well, half-ignoring the issue that the main character is 3 years old. This is a realistic novel, because his reform does not mean that he takes control of the military and then issues orders that people under the imperial edict will follow. It is not that simple, because it is always moving forward in twists and turns. This is the difference between this novel and other novels. The first book I read this year was about the protagonist during the Jiajing period, who was a minister.

Such a good time-travel historical novel is rare. It surpasses most novels of the same type. The only drawback of this novel is the age of the protagonist. All other aspects are superior. The author's knowledge, cognition, and thinking surpass most authors. The male protagonist is not domineering and sweeping, but struggling to move forward based on historical circumstances. He does not rely on modern thinking to crush the ancients. In the author's writing, the ancients are also acting as realistic bad guys or good guys in their own positions. Everyone exudes the light of life, vivid and vivid. Personally, I feel that if I don't jump in the later stage, I can sit at the same table with Mao Ni (I only represent myself). Another point is that the author should not listen to what the readers say. No matter whether it is good or bad, he should write boldly. Readers' opinions can be used as a reference, but these opinions cannot make the novel better. The previous chapters have already proven the author's skills. If he listens to the readers and changes the writing, he will end up being mediocre. Although I am also a reader. [Laughing] Looking forward to Chongqi the Great and restarting Chinese civilization.

Really good book! Worth recommending! The author has profound writing skills, comprehensive historical knowledge, and various allusions at his fingertips. The character development is also very good. It is the first book in several years that I want to recommend on Tomato.

It is undoubtedly a classic so far. The author deeply analyzes the chaos in the late Ming Dynasty and the powerless struggle as a king. My suggestion is to describe the childishness of the child more. Even if he acts coquettishly with the two mothers, he can make us feel that he is 3 years old.

The biggest highlight of this book is the truth. Many time-travelers have made drastic reforms and achieved huge results easily. In fact, it is impossible. Only a few countries in the Spring and Autumn and Warring States periods have succeeded in reforms and reforms. Why are they mainly interest groups? No matter how good the laws above are, they can become harmful laws when implemented by the bureaucrats below. However, it is impossible to comprehensively change the upper-lower structure. Some people say Zhang Juzheng's reform was successful, but he did not touch his core interests and died in power. But who knew that one of his whipping methods, implemented by the officials and gentry below, became the most harmful method to the people. Countless people in the Ming and Qing dynasties suffered greatly. Before the reform, people could pay grain, but after the reform they had to pay money. The price of autumn harvest grain fell sharply and could not be sold at a high price. When the harvest was not available, the price of grain rose sharply. Every time the people went out, they went bankrupt, sold their children, sold their daughters, and sold their land.

It may be a good article in other places, but unfortunately, what most people here want is coolness/brainless coolness, what they want is that all members of the opposite sex related to me must be clean (even if they are not involved in any marriage relationship with the protagonist), and what they want is that those who follow me will prosper, and those who go against me will die. The three-dimensional complexity of the characters is pure, the inner reflection and weighing is the female channel, the difficulty is not hard, and the failure to meet expectations is self-righteousness. Alas, in retrospect, there was a point in many previous books that did not meet my ideas, so I stopped reading them. This is true for everyone, and I am no exception, All in all, this is a good historical novel. It includes the initial high self-esteem, the feeling of powerlessness of dragging a large group of people, the growth after going through events, and the rise and fall of specific characters in the macro perspective. There are both ups and downs, the plot is not broken, the logic is not confusing, and the characters are not fake. If I really want to say something that is recognized as a poisonous point, I am only 3 years old, but at the same time, the author also used logic to rationalize this point in the first dozens of chapters of the article. At least it is better than the book "If something is good in history, it must be good, and anything can be given to him; if something is bad in history, it must be bad, and nothing can be given to him." Anyway, I quite like it. Of course, if you insist on bringing in the protagonist and then feel uncomfortable and complain about it, then you don't need to watch it. In my opinion, the most important thing about a novel is its story, its ups and downs, and if the story is well written, it is really good. It is not good to blindly say that the protagonist is happy or to blindly suppress the protagonist. What is important is growth. At the same time, there are many places in this book that are worthy of deep thought, but I won't go into them here. The important thing is the reasonable progression from beginning to end. If you want to delve deeper into these thoughtful aspects, if you don't want to, you can just skip them without thinking about them. These will not affect the plot.

The perfect combination of writing and historical knowledge is really amazing👍🏻

I've read almost 14% of the book, and after reading through the book reviews, many people said it was poisonous this way or that, but I didn't find it toxic at all. I just feel that Xinran is worthy of being Xinran. It's so refreshing to read and I just want to read it. It's hard to find such a book. I have to dig around for several days to find it and compare it. This article is not as vicious, dark and dehumanizing as Quan Hegemon's article. Retaining family, friendship, monarch, ministers, king and people, etc., We make emphasis and trade-offs in the reform. I also like the dark style of killing, but the purpose is also for the world to share peace. But this kind of writing that does not abandon basic principles and human nature is also very good, and I like it too. The purpose is the same, but the former is not done and will be done after victory, while the latter is done while reforming. The protagonist traveled through time and space, but still has feelings for this world and the people in this world. In short, so far, this book is very suitable to my taste. I have read a lot of dark books, and I also like books with warmth. Although the warmth is mixed with fighting, isn't this life?