**

I read the book review section first and then the main text. I originally thought it was some kind of poisonous point. It said that the protagonist is indifferent to emotions in order to be free. I actually read it myself and didn't think that was the case at all. First of all, even if the mental age is not the actual child, the strong will to not be trapped before being abducted to the village and being rescued by the master can be one of the reasons for not wanting to be tied up in one place. Secondly, as mentioned in the first point, the mental age is not a child, why do you subjectively think that you want to be with a child who has been innocent since childhood? Witches also have no emotional cognition ability, so because of the so-called emotions in the book review section, they constrain their own ideals and growth of freedom. I hope that friends who read this review can read a few chapters and make their own evaluations. At present, this book has great potential. Don't let some unserious and immature evaluations drown out this rare and good book.

Regarding the matter of beheading the witch, Carpenter raised her for three years and finally ran away, leaving a psychological shadow. Even if you risk your life for freedom, why would you trap yourself in one place just because of the good feelings you have developed over a few months? Eternal love is the same as what the carpenter said at the time is for your own good, which makes the male protagonist give up his freedom.

I think many people say that the protagonist's choice to leave the swamp is too cruel, but I think it is normal. First of all, the protagonist is not from this world, and has little sense of belonging to the world. The master has always tied him down. Secondly, given his life experience and Old Barry's dream, it is normal for him to make this choice. If you can't understand, then just think that you are in love with a yandere and she wants to cut off your limbs in order to keep you. You escape and make new friends, but the new friend is also a yandere and wants to keep you and doesn't listen to you. Then it is normal for you to make this choice. In my humble opinion, I really don't feel that it's very disconnected, but it's a pity that the character design of the little witch is really good. Just to add to my example of a yandere, your new friend is also a yandere. You can't guarantee that she won't hurt you just because she wants to trap you. Then when you are hurt, isn't it already too late?

Although I don't plan to watch it for the time being after seeing the protagonist leaving the swamp, I still want to share my feelings. I think the portrayal of the characters is a bit of a masterpiece, but I feel that the portrayal is not fleshed out enough. I think if you polish it well, it has the potential to be a masterpiece [laughs]

To be honest, after reading the comments in the book review, I thought it was very poisonous. However, after reading Chapter 39, I didn't feel that there was anything poisonous about it. The abduction, Old Buck's semi-captivity, and especially the fact that Old Buck wanted to chop off one of the protagonist's legs had a huge psychological impact on the protagonist. What Judy is doing now is not fundamentally different from Old Buck, giving the protagonist a stress reaction. At that time, the protagonist saw the opportunity to resist Old Buck decisively, let alone what Judy did in Chapter 39. Regardless of his soul as an adult or his experience in the period from birth to now, he would never allow something like Old Buck to happen to him for the second time, especially since he was his partner in adventures for many days. Combined with the protagonist's personality and experience, the protagonist will only be more decisive.

It's well written, but it doesn't feel like an adult novel. When I read it, I felt like I was watching a cartoon.

Pig's Foot wants to kill the witch, isn't it because he is stressed? As mentioned earlier, he was free in the forest with his hunter dad, and then he was trapped in the village after the hunter dad died, and was controlled by Old Buck, which must have caused trauma to his heart. A bird that is trapped and has experienced freedom will definitely fly away if it takes the chance and would rather die than want to be trapped again. The second time, the pig's feet finally waited for the master's arrival and ran away from the village without any danger. When they arrived at the swamp, they were forced to stay by the little witch. Before the little witch and the warlock started, Pigfoot dreamed that Old Buck had cut off his legs. When he woke up, he thought the little witch thought that Old Buck was about to kill him. This is not normal. I think this is not a poisonous point at all, but a way to reflect Pig's Foot's character, and it is also a part of Pig's Foot's growth. I can read this book from the beginning to when Pig's Foot wants to kill the little witch. I don't see many poisonous points. I look forward to the author's follow-up.

I hope the little witch Judy can come out, and hope that the protagonist and Judy will have a good ending You described it very well before Chapter 39, but what about Chapter 39? It highlights the protagonist's desire for freedom, but can't the protagonist be more tactful when dealing with friends? If Altaïr hadn't arrived, would the protagonist have killed Judy directly?

A very Western fantasy novel, very well written. I just saw the rumored points, and I don't think it is a surprise. You can't ask a bird that yearns for the sky to want to be locked in another birdcage after being locked in a cage for many years and finally has the opportunity to fly to the sky. Even though this birdcage is extremely gorgeous and gentle, just like the protagonist's profession, Ranger, Ranger, and Knight.

When I read the comments on the novel, I thought it was a poisonous point, and I almost told him to quit [eating melon]. But when I saw it, it didn't seem to be a poisonous point, and it was nothing. I was almost frightened by the comment section. It turns out that only through practice can the truth emerge. You don't know if it looks good or not if you don't look at it.

It's very good, although the front part is a bit light, but the protagonist group is still a group of 12 or 13-year-old children. They can't even be called an adventure now. They are still growing, and the great epic chapter has not even begun.

It's pretty good. Personally, it seems to have a bit of an ancient pure Western fantasy style, which is quite in line with my personal taste. At present, it seems that it should be a harem novel. The protagonist is a ranger, advocating freedom, breaking through constraints, and having a firm belief that transcends everything. There is not much poison for the time being. Regarding the character of the little witch mentioned by some book friends, I think it can be combined with the foreshadowing of the shoemaker to make people understand the protagonist. After all, the protagonist is no longer a normal person [Thinking] He is a ranger walking in the wilderness.

It looks good, the writing is simple and the narrative is clear. It may be a bit slow but the plot is interesting. It is set in a Western fantasy, but the setting is more like a background. But to be honest, it is much better than some Western fantasy novels with a score of 9 or above.

It's a bit poisonous, but only when fighting skeletons in the early stages.

To be honest, this book is actually very well written, but there are still some minor flaws, especially in the portrayal of the protagonist's pursuit of freedom, but overall it is still a Western fantasy novel worth reading.

The setting is classic but not cliche, and the characters have outstanding personalities. I see people are always talking about how poisonous Chapter 39 is. It is best to learn to distinguish things by yourself.

It's so good. I haven't seen this kind of serious Western fantasy in a long time [full]

The writing is good, and the plot in the middle is also logical. The protagonist has no freedom and is left alone. Isn't the harm caused by the girl tying up the male protagonist the same as the legendary man putting a hat on the fallen witch? Come on, author!

The review in the book seems to be about a game? What game [what] Maybe a little poisonous? But it's definitely much prettier than the poison jar in Tomato

Judging from the male protagonist's half-elf bloodline, his appearance without pointed ears, and his ability to take the male protagonist into the forest, the male protagonist's father is not simple, so his father is probably captured, or escaped to protect the male protagonist. Since his father is not simple, then he must have given the male protagonist something good... But he left the village directly. Isn't that right? Or he could have taken away any thing his father left behind.

Fairy tales for adults, life may be very difficult, but you can steal some comfort from this book, calm down and read this book. My friends

A very good adventure novel The shaping of the girl is also very good Why is the score so low?

Good-looking, good-looking, good-looking

Tomato is one of the few people who can read it with their brains

It's quite beautiful, but there are a little few people.

It's good-looking and has the flavor of an ancient fantasy novel. If you don't like mindless novels, you can read it.

Good books, but few people

Good news, must support

My head hurts if I don't watch it for a day

Why did you change your name? [What]