Quick Transmigration: After the Villainess Tycoon Binds to a Rookie System

Coming from the last book, I can feel that the author wants to break through himself, but from a reader's perspective, I feel that the current performance of this book is not as good as the previous one. In the last book, I could feel that the author's core was very stable, the story was told in a smooth way, the pace was very slow, and the protagonist's personality was also very solid. Now in this book, the image of the protagonist has not been established. The protagonist is set up to be a boss, but her performance didn't make me feel that way, especially the story of the Dragon Girl, which even gave me a familiar feeling of suffocation in a certain world. But the personalities of the protagonist and the protagonist are different. I can agree with this development and shaping in the last book, but since the setting of this book is a "big boss", this way of writing is inappropriate. I personally think that the charm of boss-type fast-traveling protagonists may be reflected in starting from the mission but taking the story to a higher level, such as elevating from personal mission to world evolution; or perhaps stepping in as various assistants or even passers-by, leading the protagonist and elevating the story. The protagonist in this article is still "discussing things as they are" and has accomplished the task. I hope I can see better protagonists and more interesting narratives in subsequent stories.

The writing is okay, it's not particularly addictive, but it still has the refreshing feeling it should have. I always felt that the heroine had a bit of a story, but it turned out that it was also this kind of "recruitment" story ending that I didn't like very much. I hope there will be some hateful scenes, and then give his mother and his father a "happy" old age.

It feels like the system given to her is redundant.

It's very good. Come on, author, but I don't feel very full of emotions. Come on, come on! ! !