Two heroines! Two heroines! Set, don't look, please turn! ! ! ! Female attack perspective! ! ! ! ! ! ! ! !
Lin Xiao, the all-powerful number one killer in the world, has been traveling through bloody storms all his life, with his hands covered in blood. Ruthlessness is synonymous with her, and her mission is her entire life. But when the loneliness and exhaustion of old age came like a tide, she chose to end her life. She thought her life would end here, but she unexpectedly became a quick traveler.
Each small world has its own crises and problems. Lin Xiao's mission is to quietly complete a series of small tasks and become the invisible force that drives the small world to a happy ending. She originally planned to complete her mission in various worlds like a passer-by, leaving no trace.
However, the gears of fate turned quietly, and in one small world after another, she met a vicious female partner who should have been despised by everyone. Those female supporting characters may be domineering or scheming, but they all inadvertently break into Lin Xiao's heart. Lin Xiao, who had never had a heartbeat, gradually developed a different kind of affection for the vicious female supporting characters while getting along with them.
In this fast-travel journey full of fantasy and unknowns, can Lin Xiao gain love with the vicious female supporting characters while completing the mission? What kind of waves will the collision of a cold killer and a vicious female supporting character cause in different small worlds?
The first world: the cool academic bully on campus VS the arrogant rich daughter
The second world: the entertainment queen VS the beautiful vase
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Reader comments
To be honest, the first breakup plot was so shocking to me. I felt like we didn't even open our mouths, and I would rather suffer myself for your own good.
I saw a bunch of male-driven dramas later, the kind where the female protagonist can only rely on the "male protagonist"
To be honest, the first breakup plot was so shocking to me. I felt like we didn't even open our mouths, and I would rather suffer myself for your own good. I saw a bunch of male-driven dramas later, the kind where the female protagonist can only rely on the "male protagonist"