Ah Feng had been painting candy figures at Zhuque Bridge for eighteen years, until that day the woman with the star pattern tattoo on the umbrella came out of the rain, and an ice pick from the inside of the stall suddenly pierced his palm - "Seventh test subject, it's time for you to return to your place."
Ah Feng, who paints sugar figures on Zhuque Bridge, always lacks a destiny palace on his back. When the star map tattoo of the paper umbrella ghost resonates with the Miaojiang blood vine, when the woman in the ice marrow coffin holds half a piece of sugar painting that has the same origin as him, when the black robe with a hundred thousand mirrors in time and space holds its own blade at each other.
Only then did he realize that the star map tattooed across the three realms was originally a monitoring talisman carved by Heaven on the subjects of the seventh world-destroying experiment.
From corpse paintings in the south of the Yangtze River to the reincarnation prison in Hubei, from soul-eating in the stall to slaying the three realms with the gray sword, Ah Feng sealed the broken time and space with sugar paintings and rewrote "The Record of Ten Thousand Tribulations" with ice picks in the stall. When the last soul lamp was lit at the end of Zhuque Bridge, he dipped in the blood of green clams and the tears of the first generation of witch ancestors and carved a shocking prophecy on the Book of Life:
The so-called killing of gods is nothing more than retrieving the joy, anger, sorrow and joy that have been tampered with by the gods in the fireworks of the human world.
