In Quick Transmigration, the Femme Fatale Is Always Forced Into Love

(Stunningly beautiful, cunning heroine + love at first sight + forceful possession + faux-consensual romance)

Qingwan is a Forgotten One punished for defying the Lord God. After an accident, she is bound to the System once more and becomes a cannon-fodder character in a novel world, tasked with winning the favor of a designated target.

Qingwan curled her lips into a smile. Seducing men? That was what she did best.

Whether they were the male lead, a supporting male character, or the villain, they all wanted Qingwan and couldn't have her.

Just as Qingwan was preparing to leave in style, she realized she might have accidentally provoked someone very important.

First world: Qingwan is a cannon-fodder character offered to a tyrant by the heroine's lovesick lackey. She is supposed to be neglected by her husband and die without a whole corpse in the palace. But Qingwan turns around and seduces the tyrant, becoming the moonlight in his heart and the cinnabar mark he can never forget. Looking at the male lead kneeling at her feet, Qingwan simply smiles and tells someone to make him leave. (A minister's wife who is treated coldly vs. a violent, unhinged emperor)

Second world: Qingwan is the neglected ex-wife of the male lead, a cannon-fodder character whose very existence is the biggest obstacle between the hero and heroine. But then the male lead's own uncle forcibly claims her, keeping her by his side and making her his own regardless of her status. The male lead has no choice but to swallow his anger and call her Auntie. (A true heiress scorned by others vs. a cold-blooded family patriarch)

Third world: Qingwan is a spoiled, headstrong widow in a village, raising two children and fond of flirting with men. The heroine is her foil, married to a burly villager at the edge of town who treats her like a treasure. Just as the heroine is about to show off, she discovers Qingwan has climbed into a car and been picked up by her billionaire husband. (A flirtatious widow with children vs. a domineering, roguishly handsome tycoon)