I Transmigrated into the Primordial Gourd Vine and Awakened an Unbeatable System

The protagonist Lin Xuan travels through time and becomes an innate gourd vine. It cleverly combines system flow and ancient traditional elements. The plot is compact and full of creativity. The author's use of ancient allusions is quite original, such as reshaping the fate of the Wu clan, exposing Hongjun's conspiracy, etc., Subverting the routine of traditional ancient literature. Highlights: The balance between the system and the ancient world: system plug-ins are not obtrusive, but become the key to promoting the plot. The strategic layout is far-reaching: from the rise of the tunnel to the transformation of the spiritual treasure, the foreshadowings are interlocking. The rhythm is relaxed and relaxed: there are both passionate battles (such as the Battle of Sanxian Island) and delicate daily interactions (such as Qingluo's jealousy) Disadvantages: Insufficient explanation of some settings: For example, the chaos transformation mechanism of Zijin Gourd lacks in-depth development. The supporting characters are occasionally instrumental: for example, the motivations of Hongyun and Zhen Yuanzi are slightly thin. In the later period, the power system was slightly chaotic: the boundary between Hunyuan Golden Immortal and Quasi-Sage was blurred. Overall, this is a masterpiece that combines innovation and emotion. Although it has flaws, its imagination and narrative are enough to make people shine.

There has been a recent book shortage, so I thought this novel would be a cliché time-travel plot, but I didn't expect it to be a bit enjoyable! The protagonist traveled through time and became an innate gourd vine, and had a miserable start. Not only was his cultivation low, he was also in danger of being divided. Just when I was worried about him, the system woke up and the plot took off instantly! Although the system skills are old-fashioned, they are perfectly integrated with the prehistoric background. The protagonist relied on the system to counterattack all the way, and his strength soared. He even obtained the Pangu inheritance and was recognized by the Wu clan. It made me enjoy watching it! The author's description of the prehistoric world is meticulous, the characters are vivid, and the supporting characters have their own characteristics. They are not just tool men. The battle scenes in the book are even more exciting, with magic weapons flying everywhere and magical powers on full display, making people excited! According to this direction, readers should be able to present a different kind of prehistoric pattern. But there are also shortcomings. Some details are not handled well enough. The pace in the early stage is a bit slow, and the situation after the prehistoric period is not very clear. But overall, the shortcomings outweigh the good points. I highly recommend it to book lovers who like prehistoric literature. It is definitely worth reading!

How to put it, this book constructs a unique time-travel story with a novel setting and a solid prehistoric worldview. The protagonist Lin Xuan is reborn as an innate gourd vine. With the help of the god-level selection system, he develops steadily in the crisis-ridden wilderness. From transformation to Daluo, to the layout of calamity, the rhythm is well controlled. It's just that many readers don't really agree with it. It does seem like a low-end version of Prehistoric. The author cleverly combines traditional prehistoric elements with innovative settings, such as the unification of the Three Immortals Islands in Penglai, the restoration of the Western land line, and the assistance of Nuwa in creating humans. This not only respects the original framework but also gives new logic. In terms of character creation, Zhunti Jieyin's perseverance, the strategies of the Twelve Ancestral Witches, and the cause-and-effect decisions of the Sanqing all escape from facial descriptions, making the supporting characters full-bodied. However, some plots are a little tricky due to system intervention, and the later layout is a little hasty. Overall, this book is pretty good in The Ancient Times. It takes into account strategy, cultivation, and the entanglement of cause and effect. It is worth reading for fans of The Ancient Times.

The protagonist travels through time and becomes an innate gourd vine, relying on the god-level selection system to skillfully navigate between calamity and the game of saints. The author deeply integrates the system flow with the ancient mythology, and rationally reconstructs the classic events of the ancient times by repairing the earth's veins and enlightening Nuwa's creation of human beings. However, some system rewards (such as dual cultivation skills) are slightly inconsistent with the painting style of the ancient times, and the supporting characters such as Nuwa and Sanqing are slightly instrumental. Overall, this book is unique among traditional prehistoric texts and has self-consistent logic. Although it has minor flaws, it is still a creative masterpiece.

Xiao Honghuangliu, as one of the ten innate spiritual roots with protective formations, can't transform into a Yijinxian, and it would take tens of millions or billions of years to travel before he can show his greatness.

As a bookworm for several years, this book is still quite good. Unfortunately, the relationship between the prehistoric and the prehistoric is too imaginary. The prehistoric and the prehistoric are basically planning, that is, a battle between minds. However, the control of the details of the characters is quite good, and the sense of humor in the novel is quite good!

As the creator of this time-travel novel, I tried to incorporate innovative elements into the traditional prehistoric framework, and show a prehistoric world full of variables and games through the perspective of the protagonist Lin Xuan. The core highlight of this book is the confrontation between the system and the ancient way of heaven - the protagonist does not simply rely on the system to be invincible, but needs to secretly make plans under the supervision of Hongjun and the way of heaven, and make every step of the way. In terms of character creation, I focused on describing the complexity of the group portraits: Hongjun is not a stereotyped villain, but a ruthless chess player who maintains the order of heaven; the differences between the Three Qing Dynasties imply the struggle for orthodoxy; even villains such as Prince Dong and Styx have their own positions and helplessness. The protagonist Lin Xuan is struggling between the contradiction between "changing cause and effect" and "measuring irreversible disaster". He has the advantage of being a prophet, but he often feels powerless. In terms of plot design, I pay attention to the recycling of foreshadowing and the self-consistency of logic. For example, plots such as "System Sleeping - Hongmeng Purple Energy Activates the Mall", "Reincarnation after Earth Transformation - Tunnel Awakening to Check and Balance the Way of Heaven" are all buried in the early stage and exploded later. The battle scenes pursue a sense of prehistoric grandeur, such as the Dutian Shensha array summoning the true form of Pangu, the Zhoutian starry array activating the stars, etc., And strive to have a visual sense of text. The shortcoming is that the branch lines are a bit complicated, and some supporting characters can be portrayed in more depth. But overall, this book attempts to explore a new direction in traditional prehistoric literature: the system is not a universal plug-in, but a gaming chip; measuring calamity is not only killing, but also the collision of ideas and roads. If readers like ancient stories that emphasize both strategy and passion, this book should bring some new ideas.

This novel is quite interesting. The novel setting and meticulous layout stand out. The protagonist Lin Xuan travels through time and becomes an innate gourd vine, using his system and wisdom to stir up the great trend. The author cleverly combines traditional mythology with modern thinking. The original plots such as the reform of the witch clan and the rise of the tunnel are refreshing, and the characters are vividly created (such as the straightforward Hongyun and the arrogant Tongtian). The battle scenes are grand and the plot lines are intertwined. However, there are some shortcomings. Some system functions are slightly "golden fingers", the villain Hongjun's portrayal is slightly thin, and the rhythm in the later stages is occasionally delayed. The overall shortcomings do not hide the good points, and it is worth reading.

Yes, except for the early stage, which is a bit inconsistent with the prehistoric cultivation level, there are no major flaws. After all, it is a fantasy novel, so it is quite acceptable! Judging from the current development momentum, the novel is about to have a confrontation with Hongjun. Come on, I hope to push Hongjun to the ground and rub him! Come on!

It is a good novel, and one of the few that I can read with more than 300 chapters. The intrigue and plot structure are quite novel, and there are many unique and unexpected plots. Good!