Painting the Calamity: After Rebirth, I Tore the White Moonlight with My Hands

Reborn on a rainy night, Su Qin's hand holding the jade brush felt slightly hot. The glass of poisonous wine in the past life is still burning in the throat, but in this life, I have to smile at the "savior" Li Bing who is handing him an umbrella. Is the rain falling on the sycamore leaves in the Academy of Fine Arts, or the tears of a baby who was exchanged twenty years ago? When the Nine Horses Flying Teng diagram reappeared in the school competition, the plagiarist Lin Miaomiao would not have thought that behind the font was the code for the Li Group's smuggled cultural relics. While Su Qin was tracing "Thousands of Miles of Rivers and Mountains" in the intangible cultural heritage restoration room, he discovered the shocking life experience of his best friend who was actually his half-sister. When young Zhao Quanzhi approached with fragments of blue and white porcelain from the Ming Dynasty, the nano camera in the wedding ring was recording the arc of the poisonous wine being filled. At the moment when the Dunhuang mural restoration site collapsed, the ancient jade around his neck glowed with dim light. When he blocked the falling stone, he also saw his mother's face that was gradually blurred in Su Qin's memory. From the Ming Dynasty to modern times, this thousand-year battle to protect intangible cultural heritage has finally come to an end in the reconstruction of "Along the River During the Qingming Festival". When Zhao Quanzhi's white hair was entangled with the jade brush, Su Qin finally understood what her mother had never finished before her death: "The ninth step of the secret recipe for making green jade is..."