"Ascending the Divine Stage" tells the story of the god-killing epic of Cheng Jingmo, the last descendant of the theater troupe. A young man pretending to be a paper prick in a funeral parlor accidentally touches an ancestral jade belt buckle and awakens the secret skill of "acting as a god" - every time he plays a Chinese god, the reality breeds corresponding civilizational visions. When he cured a terminally ill patient in the role of Hua Tuo, the quantum detector of the Western Medicine Group went off an alarm; when he acted as Zhong Kui to catch vampires, the gargoyles of Notre Dame Cathedral flapped their wings collectively.
From the beginning of a minor role to the killing scene of a divine drama, Cheng Jingmo set up a quantum stage in New York's Times Square. Peking opera patterns grew on the armor of Greek gods on the sleeves, and the robot Nezha rode a balancing car to stir up the Atlantic Ocean. When the technological god "Cyber Fuxi" attempted to format the memory of human civilization, the boy tore up his costume to reveal his skin engraved with totems, and launched the ultimate god-killing in the Douyin live broadcast room: smashing the blockchain idol with the medicine pestle of Emperor Baosheng, allowing the "Tao Te Ching" code and the AI gospel to breed new myths in the chaos.
This is not a simple cultural confrontation, but a recombination experiment of civilization genes. When Cheng Jingmo discovers that "The Extremely Evil Acting God" is actually the mirror image of his own future, he must learn to forget during the performance and be reborn when he kills the god - because the real divine drama has just begun from the moment the makeup is removed.
