The Apocalypse, History, and the Eldritch Gods

[Chaotic evil protagonist + violent aesthetics + Lovecraftian horror + historical Infinite Flow + apocalypse] (The protagonist is pure evil, so don’t read this while applying your own moral standards or expecting him to act sensibly. Go elsewhere if you’re a bleeding heart. The story’s core isn’t evil chaos; it’s the protagonist who’s chaotic.)

After the cataclysm, the apocalypse arrived.

Han Zhe, a deranged mercenary severely contaminated by radiation, accepted a bounty to launch an armed attack against the New Federal Government.

But the bounty was only one part of a conspiracy, and it made him the ninth Executor capable of quantum jumps.

As he traveled again and again to historical junctures shrouded in mist, he discovered that the stories there were completely different from what the history books recorded.

In the late Ming dynasty, the people were destitute, eunuchs held sway, and eerie divine revelations descended upon the world.

The Northern Song fell, the Jingkang Incident brought humiliation, and Mu Wu’s regrets endured. What role did inhuman beings play in it all?

In the seventeenth century, witch trials raged, and the aftershocks of Britain’s religious reformation had yet to settle. What was weaving the Devil’s web?

In the mid-Tang dynasty, the Kaiyuan era was prosperous, but the An Lushan Rebellion soon followed, entangling ancient gods with grotesque taboos.

As an Executor entrusted with the great mission of saving the world, Han Zhe should have worked toward that goal alongside his predecessors.

But what does he have to do with something as noble and beautiful as saving the world? He’s a pure chaotic evil, after all!