The Goddess’s Go-To Director

It's pretty good, there's nothing wrong with it, the movie selection is pretty good, and there's no awkward attempt to completely convert Western movies into Chinese movies, which is particularly good. There are two small problems. One is that there are too many scenes in Shu Chang, and the other is that there are too many private goods. You can criticize other directors, but really don't preach. It's inappropriate and unnecessary.

So far this year, Lao Liu has the best development system. The rhythm is very well controlled, and there is basically no embarrassing bragging. The author often updates frequently (currently stable daily updates are 4K, and the Qingming Festival will be really awesome). The only shortcoming is that it is easy to be ridiculed by black people and the mentality will be affected. In this regard, we still have to learn from the brilliant author and completely ignore it. Ps: So far this book is one of the few that doesn't involve big powers. I don't understand that all of them have a single female protagonist, Liu. Basically the author is a die-hard fan. It's really hard to understand that she treats her as a money-making tool and has a girlfriend relationship. I can only understand that the big power body is too attractive.

A very good novel. The protagonist is an orphaned martyr genius. His father's comrades who are doing business in the United States take him to the United States to study. He met Liu Yifei when he was in junior high school and helped her solve a bullying incident. He directed his first movie at the age of 16 and won the Oscar for Best Original Screenplay. At the same time, with the help of his uncle, he made a lot of money in the US stock market. Finally, using this money, the protagonist invested in many Internet companies. While making (copying) movies, he also engaged in business, and finally realized the "blooming of both business and leadership". There are no poisonous points or outdated pretentious plots in this novel. It is considered a very good novel in Tomato. But there is an issue that the author has not written about yet, but has to consider, and that is about Shu Chang. She now calls the protagonist "brother". In the end, I don't know how the author will arrange her.

It's pretty good. At first, the author wanted to write a harem story, but got caught in the dark room [laughing]. Then he changed the draft to write a single female protagonist. Except for the first 80 chapters of the revised draft, where the female character occasionally seemed a little inconsistent, the rest of the story was pretty good. Sure enough, single female protagonists or career stories without CP are the best, and the protagonists are more attractive. The kind of story where a beautiful woman hooks up her fingers and follows someone, really makes the protagonist look cheap. Usually the male protagonist has good looks, talent, and a career. He has to give money or resources to so many women for free. I don't know what you think. Is it so casual? There really is no arrogance of a genius at all, only the bit of shit in the bones of a diaosi. Of course, this book is still very good, especially after chapter 80, there are no so many female characters that appear out of nowhere to interfere. The author focuses more on the career and thoughts of the male protagonist. I think it is very good, and the character plot is more full and smooth. The emotional line between the male protagonist and Xiao Fei Bao is also very delicate, and it is of a long-running type. In fact, I found that many male readers now also like to read single female protagonists or no CP, because if you add more female protagonists, there will be a lot of inexplicable emotional dramas and a lot of stinky jealousy and robbing dramas. If the author is not strong enough in writing, it will often be a piece of shit, which is disgusting. The reader's attention will shift from the protagonist's career line to the things that happen in the protagonist's bed, and the entire novel will become a diaosi's self-pleasure novel. (Does not reflect any works, just my own opinion) Finally, let me say it again, the rest of this article is really interesting. The author has a wealth of knowledge and updates very well! Recommend! !

Shu Chang has too many scenes, and it feels like a double heroine, even bigger than Liu Yifei's. But the three views are very upright. If you don't accept it, just do it. The male protagonist is still a bit naive. Such an awesome person can't even protect his own family. He knows how to rush forward but has no means. He can only passively take the beating and then fight back? But the damage has been done, and there are so many interested parties in the male protagonist, none of them are useful at the critical moment, so the money comes quickly? People like him should have relied on the government and the state from the beginning. If this crisis is handled lightly, it will be meaningless and the article will be abandoned.

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The writing is pretty good, just don't put your status too low. Those who joined Nortel and the Directors Guild wrote very casually. It may be that he wants to express that the protagonist does not value status and reputation, but the more modest the better when dealing with domestic institutions, it is a bit uncomfortable to watch. The other books are all very good. Many novels on Tomato are very messy, but yours is very good. The score is low. I give it five stars. Good luck to the author.

This book is good, I hope it won't break down in the future. If it had a single female protagonist, it would be acceptable; if it had a clear harem story, it would be understandable. What I hate the most is the kind of story that pretends to be a single female protagonist, but ends up with a lot of ambiguities between lovers and concubines who wish they could meet each other before they are married.

I have read so many director's works, and this is the only one in which the protagonist truly works hard to change this rotten society after knowing the development of later generations. There are not many good works in the Chinese film and television industry, so they copy them. This sentence alone is already much higher than the literary realm of many directors, not to mention the actions that are committed to breaking out of the circle and leading the industry to develop in a healthy direction.

The novel is well written, but I may have been more attracted to the male protagonist when reading the novel. I always felt depressed after reading the novel. In domestic stories, the male protagonist is always compromising and always giving. I feel that sometimes the male protagonist loses himself, and all his actions are to support others and make himself a stepping stone.