Attract Phoenix Chicks

[Historical group portrait + multiple heroines + big heroine + cultivation system + upgrade flow + martial arts + high martial arts + court + semi-invented Song Dynasty] She entered the palace at the age of four and assisted three emperors through four dynasties. She longed for freedom all her life but was forced to be imprisoned in the palace. She comes from a famous family, her great-grandfather is Gao Qiong, a famous general in the early Song Dynasty, her mother is the granddaughter of Cao Bin, the founding father of the Northern Song Dynasty, and her aunt is the Queen Cao Shi Jingshu. She was adopted in the palace when she was four years old. She was doted on by the emperor and the queen regarded her as her own. Unfortunately, due to the quarrel between the harem and the previous dynasty, she chose to marry Renzong's adopted son Zhao Zongshi under the auspices of Zhao Zhen and Cao Jingshu. Finally, through the layout, in the second year of Zhao Zongshi's succession, Zhao Zongshi was granted the title of Queen of Heaven after he became terminally ill. The sentence "Men are heaven and women are earth. Why did God create women if they cannot tolerate women?" This was the beginning of her reign. But when faced with the new law "Xining Reform", the collision of old and new ideas caused her to lose her brother who had grown up with her. "I'm sorry Taotao. I can only leave you here alone from now on. Brother can no longer accompany you." Relying on her keen political thinking, she helped Zhezong of Song Dynasty ascend the throne and listened to politics behind the curtain. Later, he adopted the motto of "replacing mother with son". After he secured the throne, he appointed Sima Guang, Lu Gongzhu, Wen Yanbo and others to denounce the reformists and eliminate the new law. This was known as "Yuanyou Genghua" in history. This series of political reform measures made the Northern Song Dynasty politically clear and prosperous, and later generations praised it as "Yao and Shun among women" Her life is not only the epitome of the court politics of the Northern Song Dynasty, but also the struggle and breakthrough of women in the feudal power structure.