Sixties-Era Female Side Character Moves to the City and Coasts to Victory by Delivering Retirement Meal Plans

[System + transmigration into a TV drama + domestic squabbles + bickering couple + all sorts of awful characters + policewoman + punishing evil and upholding good]

Overnight, Su Yun transmigrates into a period TV drama as the villainess in the first storyline, whose role is to make the “true, good, and beautiful” heroine look better. Having watched the whole series, Su Yun sells her house in the commune and heads to the city to find her maternal uncle and give him a retirement package. Her uncle has no children, while Su Yun and her younger siblings have no parents. Isn’t this a perfect match?

But why does the heroine keep haunting her, using her “true, good, and beautiful” qualities to send people around her to pick fights? Sorry, but I was in the college debate club. One mouthful of salty soda is enough to spray you to death.

The righteous male lead from the second storyline, who turns against his own family, and the mama’s-boy male supporting character show up too. One says the male supporting character is no good; the other swears he’ll love her until the end of time. Pah! Get lost, both of you, and as far away as possible.

The third storyline...

Of course, aside from running into these crazies, life is still wonderful. The dreamlike estate space she built with her own hands is practically paradise. She marries her bickering sweetheart and becomes a people’s police officer. Today she settles a dispute between two brothers over their inheritance, tomorrow she catches a petty thief, and the day after she hunts down the killer in a dismemberment case...