Don’t Fear a Little Lolita Acting Up, Fear One Who’s Got Issues

The writing is very good. Although the plot setting is very clichéd and can even be said to be vulgar, the character creation and overall plot expression are very good. Especially the creation of this character feels like a real person. And although routines may sound clichéd, in fact, excellent works do not rely on routines. What is really strong is the author's writing style and ability. The only thing that makes me feel bad is that the progress seems a bit slow and there are few updates. Four stars Stop grinding, the flowers will fade if you grind again, right? What are you fussing about? What era are we in? It's so boring. Oh, it's well written, but it's so damn boring. 25.2.2 Add Samsung What are you writing on? What are you messing around with? The latest plot, what are you messing about? Damn it, I don't even want to talk about you anymore, you caused that real illegitimate child drama. Get rid of all the garbage and cliche plots. Then let's also ink the plot of this aspect. That's right, others have done it to you, and you are just grinding and whining. Ah, I don't understand. The first time you said it was to let Wen Heng understand that this illegitimate son was not a human being, but it was outrageous that you kept nagging after that. I knew you wanted to use this person to advance the relationship, but your push was very bad. And the emotional scene between the male and female protagonists, I am very speechless now, you wrote it now. It's almost meaningless, you know. Although it fits the character, it just doesn't feel the normal sweetness. Two stars added on February 3 All I can say is that this novel has completely degenerated into a cheesy cliché novel and is completely useless. The beginning is pretty good, really. Although it is a cliché plot, the beginning of the story is really good. But it won't work later. It's becoming more and more cliché. First of all, the emotional progress was very slow, and he didn't have a good way of handling it. He said that the best thing to do at the beginning was to open up at chapter 50. I am honest with each other directly, I know the identity of the other person, and then I use 50 photos to slowly develop my feelings. Then you have to draw more than 100 pictures before you recognize each other and know each other's identity. And what are you writing about the later emotional development? What are you writing about? That illegitimate child plot. It's easy for you to say the first one at the beginning, right? I was caught off guard, and then I wanted to make the second male lead realize that the illegitimate child was a person with ill intentions toward him. It's over after that. What did you write there? Ah, I must let him keep causing trouble. Just ask the second female lead to tell his parents about the mess you did to him. Right? Then let the second male lead tell his mother directly and let the family deal with it. You have said it yourself. The main reason for the male lead is that he doesn't want to play at all from the beginning. Ah, in the end, it was just because I saw the second male lead as innocent and pitiful, so I just helped him. Then this kind of attitude is enough, what else are you going to do? You also said at the beginning of the plot that you should cut off from them and stay away from them. Ouch, holy shit, that's really outrageous. He must let his illegitimate son keep causing trouble for the male protagonist. Then you think I wrote it really well and used this plot to advance the relationship between the male and female protagonists. Crazy, how can you write like this? Look at what bullshit you wrote about the relationship between the male and female protagonists. Ah, the current development of relationships is that there is no complete lack of emotion between men and women. Ah, you even wrote about them being intimate, but you didn't write that sweet feeling. It can be completely softer, and then let the male protagonist comfort the female protagonist from the direction of pity and sympathy, and then slowly extend the feelings. Isn't that the end? Right? The one you wrote at the beginning is pretty good, and then you add some branches at the end. Ah, looking at your profile, you have to fall into this cliché. Right? It's okay if you write it well. It's okay if you write it as well as you did at the beginning. You can just write it in a more conventional way. Look at what you wrote at the back. Think carefully about why you wrote well at the beginning, because you showed something new, but now you just keep writing vulgar stuff. Hey, you essentially made a bad set up at the beginning. It seemed bad, but in fact it was just a set thing, and then you went to show your own plot. Then it's written, what about you now? What kind of enchantress are you doing now? Anyway, it's quite disappointing, so be it. 2.8 22:19 Two stars (two stars are only deducted for you) Go against the great heaven, go against the great heaven. The male protagonist chose between being a beast and being worse than a beast. Damn it, what should I say? What's the difference between what you wrote and the one about an impotent male protagonist? Alas, what kind of calculations are there? Damn it, is this the thinking of a normal person? A man from a high-ranking family found his daughter. Had a relationship with a poor boy. At this time, if you say that your normal thinking is that the daughter is voluntary. First of all, people will examine the other person's ability. If the ability is up to standard, they will usually support him to become a son-in-law. If the ability is not up to standard, and the relationship is not willing to continue, the smart way is to let the daughter get in touch with more and better people, and then kick the male protagonist out. What kind of killer would directly use extraordinary measures? Doesn't this force his daughter to fall out with him? What's more, the heroine's background is one of being very pampered. I can tell you clearly that this kind of person is very doting, if the family is relatively open-minded. He even allowed his daughter to raise a bunch of men. I don't quite understand the author's thinking. Well

[Brief Review] (Demined, safe) Poison point: Micro (a little bit but not a big problem) Writing style: witty and humorous, the author's characteristics (with a sense of life) Plot: Smooth connection (except after self-explosion of identity) Recommended reading: You can skim it in the early stage, try not to skip reading, book lovers can read it (medium sugar, quite confusing) Children, this is the Huang chapter. The later stage is just like the salted duck egg, Huang is oily, but I like it😋

New book starts! This book is a double time travel, with no system and no superpowers. Yansha promises that this book will never stop updating, and even if it hurts, it will be written to the end! Feel free to read on!

Medium to medium cup There are no major problems with the writing style or plot logic. Yue Li's motivations, which seemed strange at first, were explained later in the text. But I think there is no fault in success or failure. It is too ordinary and cannot catch the eye, or there is no particularly outstanding point (as far as I am concerned) However, I think the strength of this article is okay on this track, and I hope to improve it even further. But, the title and the content are too different. Is it because of the tomato mechanism?

Don't be misunderstood by the title of the book, this is a story about two male protagonists [Adoration] who is naive but particularly likes his younger brother and always wants to take him home, and the arrogant and powerful younger brother who is reborn, but will reveal his strength and change his plan for his brother. He is super sweet and good-looking [Sneaky smile] [OK]

Overall, it's good; but the male protagonist knows that the female protagonist's love is just fake, which will probably be very interesting [laughing], but the fake love is still too alienating (referring to the female protagonist), and the male protagonist is now directly caught in the love trap of the yandere lolita, but if the male protagonist is willing, I won't say anything. It's time for education and training [laughing evilly]

It's very interesting, but it's a little bit toxic in the early stages, that is, the relationship between the male protagonist and Qingmei is a bit toxic, which will probably dissuade some people, but if you stick with it until the end, it's pretty good, especially when Yue Li turns into a loli with severe stress disease. I personally like that one very much. I hope the author can stick to it and don't end it. Come on.

It's quite good-looking. I couldn't hold it back just now. I went to the back and watched it for a while. I wanted to know if Yue Li really likes the male protagonist? [Blow a kiss] [Blow a kiss] [Blow a kiss] Or are you just a rival? [What][What][What]

It's very interesting, I just hope the author doesn't stop updating it. The characters and plot are very good.

I just like the feeling of a yandere loli meeting an electric boy. There is a kind of fun in making the yandere powerless. He no longer cares about his grades and direction, and has plunged headlong into what he considers to be a big family ethics drama and identity hustle that he cannot understand logic.