The 1970S Comeback: The Female Factory Director

After Ye Tang dies in a car accident, she returns to the 1970s. Opening her eyes to the cramped apartment block, she realizes she was the villainess in a book. As if her intelligence had been forcibly lowered, she spends every day fixating on the independent, self-reliant heroine, competing with her for jobs, her fiancé, and everything else. In the end, the heroine marries into a wealthy family in Shanghai, while Ye Tang is left universally despised. Her husband doesn't love her, her mother-in-law doesn't care for her, and even her two children grow distant. Though still young, one child falls into a river and drowns, while the other goes astray. Being deliberately tormented and written to death by the author feels awful. So Ye Tang swears that in this life, she won't become a Jiang family housewife, worn down into a shrew. She won't be the miserable foil to the heroine! She'll leave the apartment block and build a career. As for the husband she had forcibly snatched away, Ye Tang takes out the divorce papers she'd prepared. “You can keep the old house, and I'll take the children. From now on, we'll each go our own way and live our own lives.” But Jiang Ya, who once loathed her for being manipulative, gloomy, jealous, and competitive, pins her in his arms and demands dangerously, “Ms. Ye, you were the one who insisted on marrying me. Now you're responsible for me to the end.”