
The Gluttonous Immortal
餍仙
- Status
- Ongoing
- Length
- 658k Words
- Genre
- Eastern Fantasy
- Subgenre
- Eastern Cultivation
- Updated
- 14h ago
- Source
- Fanqie
Synopsis
305Chapters
3.4kReads
7.5Score
332Shelves
153Listens
103.4kReads · all time
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Reader comments 60
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There is a constant torture in all the author's stories, that is, in our era, how should we recognize and accept an "experienced" big sister? This is a very important issue of the times. The affectionate plan at the end of the last century and the beginning of this century has gradually been regarded as a licking dog or a fat cat. What followed was the popularity of yellow hair. Hey, I am just playing but irresponsible. However, families will continue to be formed and love will continue to occur. A relatively stable new plan is always needed. When Jiangnan's Nono was first written, everyone still thought it was quite white. Now the trend has changed, and I just think it is a symbol of green tea. Some people will say that Nono does not need your acceptance. She is a highly educated and independent woman, but in this society there are countless Nono who are not so intellectual, and there are countless "experienced" big sisters. The invisible hand of sociology will always send your Nono to you, and then torture you on how to accept her. Jiang Nan has no answer to this question, so his novel is unfinished, and the author of this book has no good answer. Either he and the eldest sister will eventually become strange close friends, or he will kill the eldest sister to death with a knife hhhh But humans are such creatures, and we will continue to ask until time gives us the answer, until the leaves fall to the ground and the gold is buried underground, until new love and new family ethics are re-established. Authors who can grasp the issues of the times are good authors, even if there are no answers to the questions for the time being.
To exorcise the immortal, Qingfeng wants to exorcise the high-ranking immortal, and to satisfy the immortal, Ren Liang wants the immortal to feed himself. The two protagonists are very distinctive, but I still feel that there are differences between them. The plots all have similarities, the part between the bull demon and the sheep immortal, and the part about the senior sister. Qingfeng is stubborn, pure and temperamental, cold on the outside and hot on the inside. She is a two-pronged but selfish person, and Ren Liang has yet to be determined. Come on, author, don't be blocked, I've been waiting since May! I really like the bright moon, the breeze and the bright moon, come back soon
The author is finally back, with the same flavor and style. A broken body can be repaired, but can a broken soul also be repaired? Junior brother, do you think senior sister is dirty? Update quickly, Teacher Shiba.
I feel that the plot at the beginning is not overly original, but the plot of the brother killing feels like it will dissuade many people from the beginning. The world view is still the author's classic cannibal blood steamed bun cultivating immortality. However, I feel that I should be the same as Senior Sister Xu, who cannot achieve a positive relationship emotionally with the protagonist (I really want to see Senior Sister Xu 😢😢😢, Senior Sister Xu is really upset.
It's been a long time since I've seen such a morbid, twisted but delicate emotional drama. It can be called a novel version of Zhu Xian. Unfortunately, the subject matter has a limited audience. The author can only do it for love. I cried to death.
It's a good book. Continuing the characteristics of the senior sister who is beautiful, strong and miserable. Whether it is Qingfeng or Renliang, the psychological descriptions are very vivid. I hope you don't go crazy from the beginning to the end. Also, it would probably be nice to talk about the ending of the last book if I had time.
It's a pity that Zuxian has not been resurrected, but I believe in the master's strength. I will keep chasing this book [Salute]
It is very similar to the previous book, but it does not show the main context first like the previous book. Is Ren Liang doing it for Ning Yuan to survive, or for himself to become stronger? These two anchors now seem to be a bit vain. The story relies on the author's writing style and the characterization of the characters as well as elements such as emotion, killing, degradation, and struggle to appear very attractive. But with these colors alone, it is difficult to support a wonderful story without lines. At present, it seems that the overall tone of the story is more depressing than the previous book. The protagonist has to embark on the path of cultivating demons due to his talent, and is also affected by it. He has strong enemies in the past and plans later. The environment also forces the protagonist to embark on the path of cultivating demons. Whether the protagonist restrains himself, kills wantonly, or is aloof, there is a more unique path to practice. All in all, the story is deeply "depressing". Ren Liang is now having a hard time with himself and can't see any positive development prospects. After all, the story is just the beginning, and I still look forward to the author giving readers a refreshing twist. (Although the introduction says it is a tragedy)
I have read two books by Teacher Shiba, let me share my feelings. Teacher Shiba uses a cool and frivolous style to put the heaviest emotions on every character, but she herself is completely detached. All the characters in the article are chess pieces, and the reader watches the chess game, and Teacher Shiba is not even a chess player, but a chess manufacturer. She created the chess pieces and the chessboard and then left them alone, as if leaving the chess pieces to find their own way. We cannot read her opinions and hopes for each character from the language, which is also the characteristic of her writing. But at the same time, the emotions poured into the characters are hot and real, and do not appear ethereal because of Teacher Shiba's cold writing style. Every word and every action of the character expresses the power of life, although this power is often bloody or described in a third-party way. Teacher Shiba gave us a magnifying glass, allowing us to peer into deep human nature and emotions from the largest perspective. Teacher Shiba's character creation skills are really strong. Even for a supporting character who appears for hundreds of words and only a few strokes, you can get a glimpse of his love and hate, love and hatred. It's like facing an iceberg. You can only read from the text one-tenth or two-tenths of the iceberg that has surfaced, and for the remaining nine-tenths, you won't think that the author can't write it, but that the reader's perspective is limited and can't see it. When I read Teacher Shiba's books, I didn't feel happy, only uncomfortable. But the more uncomfortable I felt, the more I wanted to read. Because this kind of discomfort was difficult to resolve, I had to keep reading, covering the old discomfort with new discomfort, like poison; maybe I am an addict. My nature is like this. When facing characters in books, animations and even games, I can often invest more emotions and generate more involvement. However, in reality, I am a person who rarely expresses emotions. This may be because the exposure of emotions in reality is often accompanied by the requirement of responsibility, while falling in love with a virtual character is a kind of overlooking from a superior, a charity-like pity, without taking responsibility. I hate this about myself, but I have no choice but to collude with the characters in Teacher Shiba's book. I'm going too far. In short, don't read Teacher Shiba's books lightly. It's best to read them to the end. Giving up halfway will damage people's spirits. Qiao Xian has learned from the past. I hope Teacher Shiba won't write too presumptuously, otherwise we readers will still suffer. In the end, I cried twice while reading this book. One time was Qingmeng's death. There wasn't even a whole scene, just a light sentence, which made me feel that Teacher Shiba was too cold-blooded. Another time, I called Yaotai Yue a "poor woman" twice; this poor woman, I shed tears while reading out this title. For the first time, I realized that Teacher Shiba had indeed typed these words with her warm hands. Typo, it's Qingmeng
You must finish it, the author is great, even darker than Gu, crazier than Huowang, the one who chased me all the way from Zuxian