Dungeons Descend: You Said Type-Moon Wasn't Dangerous?

The first copy almost follows the original plot, so I can't tell whether it's good or bad for the time being. After all, the word count is only less than 100,000. I hope that when Goldfinger officially starts working later, he can write something different from the original plot and the development after changes.

I was forced to read the plot of the original work and Sekiro, and I guessed that in the end it was about Toki being stabbed in the back. In the original work, the male protagonist Sekiro and Jin Shining fought with all their strength, leaving Rin to prepare the holy relic to summon the male protagonist next time, and Sakura lived a normal life. Make a prediction, please tell me the result.

The front is a bit redundant, but this setting of some worlds is quite interesting. The first one is Fate's 4 battles of Assassin Sekiro. The combat power settings are pretty good and not too bad. A look at the overall evaluation value [Note]

Although it starts with the classic "Mom who is seriously ill, Dad who runs away, debts that cannot be repaid, and she who is broken", there is a feeling that there are too many routines (by the way, these two are not super brother-controllers and sister-controllers, right?). But it got much better after entering the dungeon, and the narrative was also good. Even if I haven't watched this anime or played this game, I can still understand the content of the story.

It's pretty good. In terms of long-term development, it's also in line with the price of the character's inherited power. It's a pretty good work. Well, disappointed

Good? Although the first dungeon didn't change much in the plot, it can be seen that they tried to bury the plot as much as possible. The taste is relatively right. I like Fate and have almost forgotten the plot. You can read it if you haven't read the original. The actual plot is too long, with 14 chapters. It's understandable that you want to insert some plots from reality, but everyone is here to watch the dungeon. Try to use reality as a transfer station for the dungeon, take stock of the harvest, and make it fun and short. Too many realistic plots will easily distract the narrative rhythm. Others are okay, but if you want to read this book, you have to wait until chapter 40, as the plot will be partially different from the original work. It's actually not a big problem if you don't watch the real-life part, but there is a villain (?) Who is using the memory of the person who survived the copy to do something, and is eyeing the protagonist, a special specimen. However, the update is a bit slow, and another point is that the perspective is not always on the protagonist, and will cut to other characters from time to time, which is a bit like writing a group portrait. The protagonist's character is actually very passive. He is pushed around by various other people in the plot, and his subjective initiative is relatively poor. If you are not too fond of this type of character, this book may not be suitable for you.

It's not bad. It's just that the first dungeon follows the original way. It should be considered a poisonous point, but it's nothing to me. It's okay to do it this way in the first dungeon, but you shouldn't do it this way later or readers will make trouble. The first supernatural power should be the martial arts learned from Sekiro, so you just need to adapt. Come on, author, there are many works that are not high-scoring from the beginning. The first copy should be more conservative, and the second copy should be more aggressive. Just change it all at once. Personally, I don't like watching the protagonist very much. When he comes out, he is very awesome and invincible, because, if he is in the first copy If a particularly powerful spirit base or identity is given to the protagonist, then the author may not be able to control the protagonist's character well. Then, the writing will be even more poisonous, for example, with the identity and spirit base of God, the result will be a bitter smile and helplessness. And then, it will not be easy to advance the plot. Otherwise, the other side will The villain has been working on it for a long time, the protagonist is a God, there are no moves, and the review is rubbish. When the opponent lets go and just moves, the protagonist goes straight to the end and it ends too quickly, which is also rubbish. There are also some protagonists who tend to smile bitterly and so on. I like to see the protagonist's strength on the upper level, but there are always people who are stronger than him, or as strong as him, as Author's introduction, and the Destiny Man in Black Myth Wukong, I think he should go to Journey to the West, maybe take Bajie from Black Myth to have a fight with Monkey Brother, the original team of Journey to the West, after all, Monkey Brother may think that the protagonist is similar to a six-eared macaque or other monsters dressing up as him [laughing]

The writing is much better than other Luanru Ge. It blends in well and is not a needless show-off. It stands out and is comfortable to watch.

It looks okay, but the early stage is too long, and things don't start until more than 30 chapters [Chigua] [Chigua] If you don't have the patience, you should be able to read through more than 30 chapters, but it will have some influence but not much [ Eat Melon ] [ Eat Melon ]

Old wine and new clothes, a regular reincarnationist but only he knows the plot. It's all the same old stuff, but Goldfinger is interesting, and Goldfinger is the title. But it would be nice if the characters obtained each time could be written at the beginning of the copy. Every time, the protagonist knows, but the readers don't, and it's not revealed until the middle or later stages of the copy. Highlights, first copy. Holy Grail Sekiro The second copy, Dragon Monster Hunting