What If Dungeons Could Invade Other Worlds on Their Own?

I haven't seen Kozahakoba Ryu for a long time. I suddenly saw this book and I really miss it. I'll add one star. 🍅A rare author who knows how to create characters, support and add one star 👍👍👍 But isn't Isekai Hakoniwa-ryu, Isekai and Hakoniwa Fighting Cricket one of the core cool points? This has been an absolute advantage from the beginning. Until Chapter 50, no other Hakotida insects other than Rat Women have been killed by outsiders. Without developing new exciting points, this seems a bit boring to be true. There are really too many dialogues. I know the author wants to create characters, but there are too few likable characters, especially the church man named Ha. What's the point of giving him so much space? [Pause face] I've read more than 60 chapters, and it's even harder to resist 🤦 The protagonist has a "dungeon" connected to another world, and raises some bugs in it to "fight crickets" with people from the other world. The author seems to focus on the development of the different world, weakening the development of the protagonist and the world of Little Garden. In the main world, the protagonist appears very rarely. As for Hakoba, neither Hakoba Insect has enough roles to be regarded as a main character. What's even more outrageous is that there are 60 chapters in the other world. A lot of words and ink are devoted to the other world, but there is not a lovable character with a lot of scenes, or a second protagonist. The result is that no matter which party makes new progress, it is difficult to have a sense of identity, probably "What does it have to do with me?", "Experience +3", A group portrait can have multiple protagonists, but if there is no protagonist or a large number of protagonists, isn't that just a hammer and a stick?

This book is still worth reading. As a sandbox group image, one of his biggest advantages is that the underlying logic is very good. The setting of the dungeon is very good. The first is that although there is a dungeon entity, the actual operation is through the mobile phone, and the situation in the dungeon is also viewed through the mobile phone. At first, I threw insects through small openings on the surface of the dungeon. Later, I completely relied on the extraordinary power of the dungeon to take pictures and release the insects with my mobile phone. The main focus is on the flexibility of a mobile phone (well, I can't take apart the dungeon or stick my head in. I'm very impressed when I see some stories where the protagonist puts things into the sandbox by himself without being seen or exclaimed by the sandbox creatures, hmm). Then, the author's creation of characters is also okay. I think the characters are better shaped, currently they are Black Mage, Blind Spiderling, and Cat. He has a way with characterization. The creation of the black magician is through a fight with the bride of the stickluo, the black magician copes with the magic-free environment in the dungeon, and the fight between the black magician and the bride of the stickluo in the magic-free environment. Shape the power of the black magician by stepping on the bride's penis. Then, to top it all off, the black magician has a lot of magic golems in the back. These magic puppets then flooded into the dungeon in large numbers, causing a lot of trouble for the protagonists of other branches (does anyone really regard the tool man as the protagonist?). Wait, in this way, I am impressed by the black magician. The sculpting of the blind spiderlings really stood out to me. Although the description is very small, only the dialogue and facial expressions are written, but I can have a sense of seeing a child go home to find his mother after being bullied (just like you bully your brother). The key points are quite consistent, and the blind spiderling's righteousness (or the innocence of the child?) Can make people like it. It's a pity that Will. Will first appears as a hunter collecting debts. But when you watch it, you can feel Will's repeated certainty. That is, Will actually gave the hunter many opportunities, but the hunter failed to seize them. But unfortunately, Will's length is discontinuous, which leads to the feeling that the story is half-established. It got up, but it changed. I didn't go into depth and said a few more words. Then Will's impression was not much, and naturally it collapsed again. However, the thing that makes me feel a little bit difficult to comment on is that Judging from the subsequent description, it is obvious that the author can shape the character and shape it well, but The character development at the front is very sloppy. The author should want to expand the worldview first. But let's expand it, but at the same time, we are revealing names and building characters. Then, it gave me the feeling that the world view was halfway expanded and stopped expanding. The character creation is also good, but there are too many, unimpressive, and useless. To be honest, there is not a lot of dungeon content. However, what we want to see is not the dungeon content, but the dungeon content where the villain encounters insects in the dungeon! In addition, the information density of the other world content is high, so it feels like there is a lot of writing and ink in the other world. The most difficult thing is that there is a plot that Vandas has for four consecutive chapters. Looking at the overall situation, this chapter writes the most distinctive soul of the book, the combat power balance system of warrior mage believers, which is necessary But—— I don't like this character, I can't play it at all. I strongly recommend other readers to turn the pages quickly when they see these four chapters and just read the key points. Fortunately, the author later used him to set off the church (it's okay if the soul is directly controlled by his own people. It's reasonable to think that the ascetic monks and bishops couldn't see Shimen actually used this method to write out the reason why the Church of Dawn is unpopular. Then there's the question of having fun. This book is not a trivial article. Judging from the current situation, rationality has a very high status among the authors. It is a book that can be read with your brain (bring a little bit of it). The problem is not less fun. In fact, he felt a little better and had a small orgasm. However, if you want to have more fun, you have to find a character to enter. Don't take on the role of protagonist!!! Don't take on the role of protagonist!!! Don't take on the role of protagonist!!! Wtm, that protagonist is a pure tool man, a puppet in the dungeon. Yes, I have read a lot of books. I could see it right away. The protagonist in the first fifteen chapters is a Menggu man. In other words, the protagonist did not know there was a problem in the dungeon for the first fifteen chapters. Normally, writing is done through the protagonist, allowing the reader to get involved with the protagonist to gain some enjoyment. But this author had no intention of creating the protagonist from the beginning. In other words, in his case, the protagonist will most likely be a tool from the beginning. Think about it, if the protagonist is not in the ecological niche of a tool man at the beginning, which author would write like this? Chapter 15: Meng Guren? So, when I saw someone commenting later on about whether there would be a revival of spiritual energy in reality, I wanted to laugh. Although the dungeon gives feedback to the protagonist, there is a tendency for spiritual recovery. However, don't forget, the first fifteen chapters are about Menggu people. Therefore, the so-called feedback is nothing more than a means for the dungeon to strengthen the protagonist's confidence (from the point of view of not getting tired even if you touch it when you are tired, it is also for the 996 social animals, right?) However, due to too many branch lines, it is too difficult to substitute. I really just beg you to cut off some of the branches. Like many branch lines, the characters have not been established anyway, so they will be cut without any impact. After cutting it off, we feel better when looking at it, and wouldn't it be much smoother for the author to write? Right? The fewer branches there are, the easier it will be to control the rhythm, right? Right But this author seems to have already taken care of it. At present, the main characters in the dungeon, Centipede is recovering from his injuries, Jumping Spider is playing villain, and the club bride group is developing. There is really nothing to write about, so the author went to expand the dungeon openly. On the other side of the world, this branch enters the dungeon. This branch digests the loot. The rest is not messy, which is okay, but it is better to cut some lines. By the way, I feel like this author already has a prototype of his style. I don't know if you have noticed that when the author was writing, his character's psychological description was almost smoothly integrated with the narration. It also allows people to distinguish which ones are third-person narration and which ones are the character's psychology (at least they don't use single quotes to describe the psychology, which I'm very happy about). In other words, the creation of his character is closely tied to the advancement of the plot. He can rely on psychological description to promote the plot. It wasn't obvious before, but some clues can already be seen in the latest chapters. In other words, the writing style of this article is actually very different from other articles. At least put what he writes together with other articles. Once you are familiar with his writing, you can easily pick out what the author wrote. To sum up, I give five stars to express my support. The subject matter is good There are three main selling points of this book: sand table, dungeon, and western fantasy world. Among them, the sand table and the dungeon are closely connected. In other words, there are actually two selling points. In fact, judging from the length of the article, the content of the dungeon and the content of the alien world are almost half and half, and in terms of information density, the alien world has more words. The title of the book can reflect the dungeons and sandboxes in it. What about otherworlds? I'm such a big alien, so it's not too much of a selling point, right? No, can we add another world to the title of the book? If you add another world to the title of the book, I don't think the score will be so low, and it won't attract so many people, right???? Although many people talk about it, it gives me a feeling that the author is very stable. No one wants their book to end suddenly, right? In fact, water is transferred according to personal will. Everyone thinks of water differently. For example, I think the descriptions of dungeon creatures that are imported from Baidu or adapted from Baidu are relatively weak. But looking at other comments, it seems that some people think this kind of popular science is good???? Well, um... Okay. I feel that the overall pace of this book is slow. For the time being, I can't actually tell whether this is really a slow pace or a side symptom of complicated branch lines. In fact, there are advantages to a slower pace. At least, the author can write very long No one hopes that when they read the book "Sudden Eunuch", it will give people the feeling of feeding a gift to a dog. As long as you don't be a eunuch, I believe readers will have a high tolerance. Once the number of slow-burning words increases, things will get better. And, speaking of backwater, Think about it, if the author suddenly changes his pace and becomes sluggish, is there a possibility that he doesn't want to change, but wants to be a eunuch? This author updates regularly every day. Even if the data is poor (refreshers are getting less and less, and the ratings are rubbish), he still maintains his own rhythm. (One thing to say, I think this author really has no idea of pushing the main line down. The latest chapter shows that the rhythm has indeed become faster, but it has become a little bit faster. Well, just a little bit. This shows that the author obviously does not want eunuchs, maybe After all, the main plot is not rushed, which means that the author may be very confident about the subsequent plot? The author still maintains this rhythm until now, which I feel is pretty good. Because judging from the current plot trend, this book can write a lot of words. I even feel that dozens of words or even millions of words may just be the beginning. The Infinite Heavens and Group Portraits are the easiest to write all the time. Among them, the protagonist is a group of tool humans. Yes, that is this book. He can keep writing it without ending the story. The protagonist is a tool man, so the end point is not on the protagonist's side, but on the confrontation between the dungeon and the other world. Is it too long? There is no main character anyway, so just replace it with new supporting characters. Is the new supporting character emotionless? Isn't this the apprentice brought out by the old supporting character? Keep writing, write about Kingdom Change, and even write an epic feeling. Hahahaha. It's really funny. By the way, I have to mention that, This book is not very friendly to listeners. I didn't realize until I saw the reading time that I had been listening to it for a while. The senses are very bad. I even suspect that the author doesn't want to make money from listening to the book. I really don't recommend listening to the book.

This book has received mixed reviews, but I think it is fundamentally a very well-written book. First of all, I think the handling of the role of Song Jiang is very good, completely breaking the previous style of Song Jiang's obedience to Tang Monk. Tang Seng is not like before who always chatted with Lin Daiyu and did not do his job properly. The plot including Xiahou Dun's battle with Xu Sanduo was also well portrayed, completely subverting Xu Sanduo's sinister XL image in our minds. Moreover, Xiahou Dun did not have a crush on Hua Qiangu from the beginning as stated in the original work, but only after experiencing Mei Changsu's transference and separation, sparks sparked with her. In this way, the logic of the plot becomes very smooth, giving the audience a refreshing feeling. The plot of the story is also intricate and fascinating. For example, why did Duan Yu save the Haier brothers regardless of the danger to his own mother? Did Teletubbies have a revenge plan against He-Man? Who is responsible for the big belly of Mr. Cang, the wife of Roaring Sky Dog? These questions tightly locked the audience's attention. The finale of the fight scene between Zhu Bajie and Donald Duck was well arranged, and the open ending made the audience yearn for the love song duet between Taishang Laojun and Marilyn Monroe. It is worth mentioning that the vicissitudes of the atmosphere in which Big Big Wolf misses Zhou Zhiruo in the Akina Mountains suddenly reveal the delicate inner world of Ren Wo Xing when he steals Huba, the sacred object of the Uchiha clan. The comic dialogue between Comrade Sha Ruijin and Chu Liuxiang, who guest-starred in the book, and the ingenious idea of ​​Mr. Bean visiting the thatched cottage three times and asking Charlotte to rescue his grandfather are also highlights. It's hard to describe in one word, it's a masterpiece!

To be honest, this book is quite good. The current rating is 6.9, Which is really low. It can be seen from many details that the author has great ideas, but this book currently has one main problem (in my opinion) that affects the perception (especially in the early stage): The main reason is the author's double-line description. There are really many characters who appeared in the early stage, but the space is limited, and the images of some characters are not well portrayed, or the images of key characters are not highlighted. As a result, some plots are described in a fog, and people can't understand what is mainly being said now. They have to go back to the previous part to connect with the context. This will make the plot look messy and divided, so many readers are discouraged in the early stage. However, seeing it now, I personally feel that the plot is still good. The outstanding problem is just that it is not coherent, but this kind of problem is a common situation of double lines. The benevolent sees benevolence and the wise see wisdom. Finally, I still wish the author to continue working hard, and I wish the author and this book will get better and better! 😘

I think the protagonist may attract more people by sprinkling some gold dust [sneaky laugh] Otherwise, the villain should set this as a restricted area with no profit for a long time and prohibit entry. There is nothing anyway [sneaky smile]

It is a small masterpiece with great potential in the small world genre. The dungeon part is very attractive, but the non-dungeon part of the different world is quite separated from the dungeon part. I have no desire to watch the non-dungeon part. Skipping them all will not affect the viewing experience. If the author coordinates the dungeon part and the non-dungeon part well, it should be better.

You're all giving five stars to trick people into drinking water, right? Ah 666 [rolls eyes]

The rating is a bit low, but it is well worth a look. The current dungeon setting is very good, and you can put it in directly without much upfront investment and feel comfortable. There are few descriptions of the real life of the protagonist, but more descriptions of the creatures and people from other worlds. It is a new book with great potential. I hope it will achieve good results. The reason is that the author's writing skills are good, and the characters he describes have their own characteristics, but the switching of multiple perspectives in the early stage will make some people confused. After all, there are many forces, sometimes one party enters, and sometimes multiple parties enter. The description is less and confusing. The first time I listened to the book and played the game, I was confused. After listening to the book and playing the game, I understood it after reading it again. It is not difficult to straighten it out and the author also changed it later. It is not a big problem. There are a lot of foreshadowings laid, and there is a lot of room for development. The design and development of the subsequent plot can be seen in the dungeon. There is little about otherworlds and reality. It would be less enjoyable if real life is not written. The dealings with alien forces are essential and there should be follow-up in the future. The logic at the bottom of the dungeon is that monsters will grow if they are good, and the strength of aliens will be slowly unlocked and they will bring magic power to the monsters. Maybe you can explore the skills by yourself, but I think there is a problem in that there is no stable resource output and there are few adventures. But this proves that the author is very ambitious. He can kill conscious monsters and gain power, or have the ability to protect treasure chests or explosions or skills. It can greatly increase the appeal, but the author should consider that the current dungeon is small, so he did not make the map larger later. With the exploration of people from other worlds, it should gradually appear. It summarizes the future that is worth looking at. It is a dungeon article with a good development direction (a dungeon flavor). I hope you can keep writing. After all, in theory, you can write more than 2,000 chapters at your pace. I'm optimistic about you. Don't stop updating. It's hard to find books that you don't like. It's not hard to read two ads for you every day.

Is the heroine that cat lady? Why were you only given a few shots? A bit confusing, but I still give it five stars. Different from tradition, the subject matter is novel. Protagonist character, supporting roles, etc. But I hope the author will hurry up.

This theme is very suitable for me, but don't just let the bugs win, give the villain a little highlight, and then if it's a western fantasy theme, how about adding a hero? When the time comes, stuff a whip spider into the bottom few floors as a boss, it will definitely be powerful. Think about it in a dark and empty dungeon, black tentacles cut through the silent space, smashing a knight to pieces, and the others were grabbed by giant pincers extending from the darkness just as they wanted to resist, leaving only screams and the sound of bones being crushed. However, due to the size of the whip spider, it is recommended that this thing be matched with the different world T0. Thinking about the scene is exciting. To be more cruel, a wolf spider infected by Cordyceps needs to be left alone. The general controls this wolf spider to wander aimlessly. After death, it releases fungal spores to infect the villain, directly sending waves to the other world "The Last of Us". Since they are all in another world, can't the wolf spider live in symbiosis with the fungus? Or maybe the fungus has killed too many people and it has become wiser. At that time, we can see the natives of the dungeon and the brave team up to take out this wolf spider. It is completely possible to set the core of this big boss to be in the body of the wolf spider. If the wolf spider is destroyed, this big boss will be gone. Originally, the dungeon was enough to be in the underworld. With this addition, I can't even imagine how powerful it would be.