Period: The Supporting Character Who Once Played Second Fiddle Is Thriving

The introduction is different from the main text. It is said that the protagonist's family is quite good, but they are just like that when they are doing it for themselves. However, the protagonist's family is still soft-hearted and cannot bear to see what happens to the eldest nephew and niece around them, but they are still willing to lend a helping hand. In that big family, the protagonist... The three views on family are quite upright. Anyway, after reading too much, I feel that the protagonist's family just wants to save face and suffer. If the family can be separated immediately, why should they continue to fight with that family? If I can't, the protagonist's family can't think of a way to separate the family. Personally, I feel haha. If you like this kind of article, you can read it...

The writing is pretty good, But, how to say, Rather than just doting on the heroine, what the heroine gets is not preference. It's because the heroine's family is very good, so she dotes on every child. We strive to assign a CP to everyone so that we will know who is the target as soon as they appear. Well, the more I think about it, the more uncomfortable I feel. What I want to read is a group pet article, selling dog meat at the expense of others 3

It's rare to find another period article that suits my taste. Although they are all period articles, the ones at the top are either busy arguing with the three aunts and six wives, or they are ineffectively arguing, and all of them want to have a child, three treasures, and will die without a man...

It looks good, but Chen Rou's reputation is not that bad. Otherwise, how could his man become the captain? People in the village are not stupid. Why would they choose a person with no ability? It's impossible not to eat, right? But if you have been hungry for a long time, you can smell the smell of meat on your body. Wouldn't that be dangerous? Moreover, without a capable captain to take the lead, the entire village will be reduced to skin and bones due to hunger. Can't you tell at a glance whether you have food or not? After all, there is a difference between having bones left and some meat, but it is still very interesting to watch at the moment. I want to see what happens to their family later on?

It's quite good-looking, but the introduction doesn't quite match it. It's just an ordinary life. Occasionally the villain does something. The story is introduced one by one. It's good-looking. Everyone has different opinions. I didn't feel aggrieved. The author is good at describing people's psychology, especially the three characters of Meng Sang and her daughter. You can understand Meng Sang's feeling of feeling sorry for his mother. It was the same when he was a child. His younger sister was always lazy, so her mother had to do a lot of work. She couldn't bear the hard work of her mother and could only help her mother do it. Her mother also said that her younger sister was still young. Sometimes she was very angry, but she still felt sorry for her.

Distribute the food stored by Chen Rou to the villagers. It is best for outsiders to find out that they have a good reputation. I feel that the old lady is about to separate her family. In the year of famine, she wants to give out the two and three bedrooms to save food.

The first part is very interesting, the timeline is very long, and many plots are narrated in the third person, so it is not particularly lengthy. The author depicts many small details of the action very well, and the picture is very strong and delicate. Among the characters, only the heroine and her parents and brothers can be deeply understood, especially the interaction with her brother and sister. From being nibbled on the toes as a baby, to the encouragement of the two brothers to touch their souls when they grow up, the feeling of the closest people in the world is heart-melting. Although the other characters, the brothers and sisters, do not have any shortcomings or highlights, they do not have any highlight or charm, because it is a group portrait with plot development and a large length. With an unattractive character, it is not interesting to watch. When I came to review chapter 214, I didn't know what would happen next, and I was worried that I wouldn't be able to give it a five-star rating if I read further. Ever since I met my super-thigh great-uncle, the whole family moved to Beicheng. I knew it was a new map, but it was too blunt. Because I had a backer, the whole family was stuffed into the system, the army, and various wealthy and idle positions. In conjunction with the recent news about the earring incident, I felt strangely mixed. Without discussing whether it works or not, the setting is 1974, and it doesn't have the flavor of a chronology. I say just bear with it and see how the new map goes. The next step was to set up a CP for my younger brother. I don't know whether it was because the younger brother's character creation was too successful or the object was really controversial and greasy. I was deeply hurt, and I felt like my own cabbage was being taken advantage of. I've watched them grow up since childhood, and it doesn't necessarily have to be about falling in love. It would be better to have no CP or leave blank space for art. I can't stand the back part, but the front part deserves five stars, and the shining parts are very bright.

A kind and lovely heroine, a kind and reasonable heroine's family, a motivated cousin, and the original heroine mother and daughter who are the group's favorites. I'll pay 5 million to anyone who betrays me. The hostess's family is still not doing well enough. How can we only be good to our grandparents, uncles, aunts, and cousins? We should use space to share some spiritual spring water with everyone in the village. Then there were droughts and famines during that time. We should report it to the country and actively cooperate to bring warmth to people all over the world.

The plot is compact and the whole story is pretty good-looking. Unfortunately, it's hard to say that Meng Yu is the heroine. She is too young and is not capable of taking on responsibilities and plot. The work and transactions of Space Goldfinger are done by the heroine's father. Meng Wen is doing the cool writing routine of being humble and cowardly, and Meng Sang is doing the cool writing routine of recognizing family members and living their own lives. The author is a master of cauldron stew.

The author writes very well about the family, each character is very three-dimensional, and the storyline is not cliche. The heroine in the original book is too playful, and the relationship between the heroine and the hero develops very quickly. Everyone is clearly explained. The author is very good at writing about family relationships, the kind that I yearn for. The love of the parents affects the feelings of the children of the next generation, and the behavior of the parents also affects the behavior of their own children. Parents are the first role models for children. The heroine's parents are a very good role model. However, there are also parents who do not love their children, which results in their children's damp childhood. Some of the authors write about life, and some are very novels, but maybe I have not seen that kind of good ones. The author is not very good at writing about relationships, but he writes particularly well about family relationships. The biggest highlight of this book is the creation of family relationships and the shaping of the characters' personalities.