When a jar of pickled bamboo shoots that had been pickled for three days exploded in the backyard of Shen Mansion in Bianjing, no one expected that it would pry the heart of a prime minister. Cheng Xiaoman, a modern female screenwriter, was dressed as a fake daughter of a businessman. She was sent to a side hospital as a body double as soon as she landed. She was also accused of being married to the cold-faced powerful minister Shen Qingyan. However, she was able to use a bowl of snail noodles to make the mysophobic prime minister let down his guard, allowing her to barely stand firm in this whirlpool of real and fake daughters.
In the first scene, the dilemma is like a cobweb - she is a fake that everyone wants to beat, she is made things difficult for her at every turn by Liu Ruyan, and she is framed by Zhao Mingxuan. Even the housekeeper of Shen Mansion treats her coldly. In the second act, the turning point is hidden in the smoke - she relies on modern knowledge to improve spice recipes, uses jokes to resolve embarrassments, and even wins the hearts of the people with a "live broadcast" free clinic. In the third act, the price quietly emerged - the relationship moved from contract to sincerity, but the closer she got to Shen Qingyan, the more she realized that the water in the court was thousands of feet deep, and she had no way out.
She smiles like a spring breeze, speaks with a smile, and walks with a breeze, but she struggles to survive in conspiracies time and time again. He was as cold as frost and snow, and his words of "You're fooling around again" were so doting on her that he stirred up the entire Northern Song Dynasty officialdom for her. And when the truth is revealed, should she return to being a modern screenwriter, or should she stay and become the woman who changed history? When time travel becomes a joke of fate, how should humans choose?
