Poetry and Painting in China: One Song, Yesterday's Book, Sets the Music Scene Ablaze

[Chinese-style songs + classical instruments + opera-style singing + career-focused male lead + one female lead + slow burn]

Su Chen transmigrates to a parallel world and becomes the youngest singer on the national team.

Just then, the Central Television Station decides to promote Chinese culture by creating a major cultural program, Poetry and Painting of China.

To showcase the flourishing legacy of Chinese civilization, Tianzhou's Cultural Troupe decides to send Su Chen to serve as the opening performer.

The decision sparks heated debate within the station. Many believe the troupe is brushing them off by sending such a young singer.

But once Su Chen steps onto the stage, no one dares question the choice again.

One song, “Last Night's Book,” leaves the entire audience spellbound!

It captures the helplessness and anguish of heroes burning with patriotic fervor, yet with no way to express it!

One song, “Preface to the Orchid Pavilion,” sparks a wave of Chinese-style music!

It evokes the romantic longing of scholars and poets for freedom, and their yearning for mountains, rivers, and the countryside!

One song, “Snow on Paper,” enchants a million viewers!

It paints a scene of cooking smoke curling into the sky, a drink shared with a kindred spirit, and snow stretching to the horizon: a life like that would be enough!

After that,

“Blue and White Porcelain,” “The Painted Performer,” “Along the River During the Qingming Festival,” and one poetic, picturesque song after another set all of China ablaze, ushering in a golden age of music for Poetry and Painting of China!