After following the surveillance to find the mysterious superpower, she came to this school. What she originally thought was a simple and easy task turned out to be unusually frequent, and she was involved in a larger whirlpool. The content of the task also changed. Can the 100% completion rate really continue?
There are 54 playing cards representing different abilities, but there are great restrictions on their use. However, dark creatures have emerged in droves, and the dusty door to the world of the dead has also been opened. With only the limited abilities of a deck of playing cards, how can he face all the upcoming crises, and how can he maintain a peaceful life under the crisis?
Reader comments
It is a supernatural novel with a novel setting by the author. The last similar novel I saw was about a magical boy fighting at night in the city (a certain Kuro's magician).
But there is a huge problem with the author's narrative. His change of perspective is a bit like a group drama, similar to the Headless Horseman or Kagero. New characters appear too quickly, and there is a certain length of perspective, and there is a lot of foreshadowing. If this is done on a carrier such as comics or animated TV series, there is no problem at all, because the characters can be quickly solidified in the minds of the audience and it is relatively easy to understand the direction of the plot. The novel is different. If you use multiple perspectives and switch frequently, it will increase the reading threshold a lot.
For example, an original linear story is unfolded from multiple angles simultaneously in a network context, which means that readers have to process multiple aspects of information at the same time, and in the process of processing information, they also have to deal with accidental flashpoints. For example, when I just sorted out the rough relationships between the forces and characters in the first major event, I found that the plot of the first episode had come to an abrupt end. I felt astonished that I had spent so much effort to watch this thing, and my interest could be said to have dropped again and again.
Now I have read 20% of it. If I am lucky enough to read this story to the end, I will go back and continue to add comments [laughs]
It is a supernatural novel with a novel setting by the author. The last similar novel I saw was about a magical boy fighting at night in the city (a certain Kuro's magician). But there is a huge problem with the author's narrative. His change of perspective is a bit like a group drama, similar to the Headless Horseman or Kagero. New characters appear too quickly, and there is a certain length of perspective, and there is a lot of foreshadowing. If this is done on a carrier such as comics or animated TV series, there is no problem at all, because the characters can be quickly solidified in the minds of the audience and it is relatively easy to understand the direction of the plot. The novel is different. If you use multiple perspectives and switch frequently, it will increase the reading threshold a lot. For example, an original linear story is unfolded from multiple angles simultaneously in a network context, which means that readers have to process multiple aspects of information at the same time, and in the process of processing information, they also have to deal with accidental flashpoints. For example, when I just sorted out the rough relationships between the forces and characters in the first major event, I found that the plot of the first episode had come to an abrupt end. I felt astonished that I had spent so much effort to watch this thing, and my interest could be said to have dropped again and again. Now I have read 20% of it. If I am lucky enough to read this story to the end, I will go back and continue to add comments [laughs]