No Need for Sandalwood Boards to Share Gold Bottles

"Share the Golden Bottle Without Sandalwood Board" currently appears to be a novel with the theme of tragedy and fate. It is set in the fictional background of the Southern and Northern Dynasties and unfolds from the perspective of the male and female protagonists. It tells the story of the people's dire straits under the changing dynasties and the grievances and resentments of the protagonists under the opposing destinies. The author cleverly combines real history with fictional elements. His writing style is relatively delicate and he quotes many scriptures. The festival activities and other matters in the article are all based on historical sources, which is very sophisticated. The names of each volume and chapter have their own meanings. The odd-numbered volumes are written about Yao Ling, and the even-numbered volumes are written about Luminous Light. The two are like the alternation of the sun and the moon, and they progress step by step. In terms of character creation, the author depicts the characters in a more three-dimensional way with distinctive features. Yao Ling has softness in her cold determination, and kindness in her ruthlessness; Ye Guang is innocent, gentle and ignorant of the world, but she was tricked by fate and allowed hatred to cover her eyes. These qualities, driven by specific circumstances and fate, have become key factors leading to tragedy. The little prince went from an ignorant victim to an avenger. He used extreme means to guide the eldest princess into the trap he designed step by step. The interaction between the two is not only a game of power, but also a contest in the depths of human nature. Each of them carries the fate of their family and personal grudges, but ultimately lose themselves in this fateful confrontation. The feeling of compassion became his epitaph, and he didn't know where to go after the great revenge was avenged. The two conflicting emotions of "goodwill" and "revenge" are intertwined into an irreversible tragedy driven by fate. For them, this is inevitable, and represents the powerlessness and confusion of people in the face of fate: all efforts and struggles are ultimately just another form of manifestation of fate. "Fortunately, we can have sex with each other even if we sing slightly, and we don't need to share golden cups with sandalwood boards." I hope that when everything ends, they can get the relief and salvation they deserve.

The author depicts the changes in the characters' mentality very well, and the writing is smooth and comfortable to read. Although the names of the male and female protagonists respectively mean the moon and the sun, in terms of symbolic meaning and actual identity and personality, they actually complement each other. For the heroine, from childhood to adulthood, she will always retain the kindness in her heart, and will not become like her father who takes it for granted. At the same time, for the male protagonist, when he was a child, he was ignorant of the world and people's hearts. He was too pure and could not distinguish the standards of good and evil. It is also very reasonable to grow up to this point. I look forward to the development below. Hong Zhuozi feels like a point of intersection between the two of them. Perhaps getting along as adults can help them connect with each other as children and then develop their hearts. Thank you for your hard work. Anyway, I'm really looking forward to the next post.

The author writes some creative opinions. The first is my choice of dynasty background. Because I really like the history of the Wei, Jin, Southern and Northern Dynasties (objectively speaking), I chose to create these two characters (the princess and the prince). When I first started writing, I didn't even have a complete story (my introduction was also a mess). I polished it bit by bit in my mind and am still revising it. Once the dynasty background is established, I need to look up maps, local chronicles and other auxiliary information to try to make sure there are no mistakes. Even though people may not take a closer look, I don't want to just take it lightly. The second is my character creation. The world view structure of this novel is very grand (even Xiao Yaoling has named 30 people so far, most of them have their own special stories and characters, and there will be more in the future). For this, I checked at least ten books, and also read the paper while writing (most of the books are listed under what the author has to say, and some will be listed separately), and this does not include the classics such as "Chu Ci" and "Book of Rites" that I have read before).

Will be on fire. I have nothing to comment on. The first two people who should comment have already finished their comments.

At the invitation of the author, I would like to review this book briefly. From a structural point of view, the narrative sequence of the novel is based on the normal timeline, supplemented by flashbacks. The narrative process is relatively smooth and natural, and the plot can be seen more clearly after reading it through; Judging from the plot, this novel seems a bit "dark". When dynasties take over, in addition to seeing a prosperous new dynasty, you can also see an old dynasty that was "cut to pieces with a thousand cuts" and was executed late. Wei Yeguang is the orphan of the "sin" of the previous dynasty. On the day the city was breached, the corpses of his parents were hung high above the city gate; while fleeing, the servants committed suicide to save themselves. For a child, the psychological trauma of such scenes is self-evident, and it also made me vaguely see his painful future and tragic ending (I am just guessing, I still want the author to give Ye Guang a healing ending). The encounter between Moonlight and Yao Ling also makes the plot interesting. The experiences of these two people can be said to be completely opposite from the day they broke the city. I think it is not wrong to say that they are two protagonists with great contrast. I have to look forward to the follow-up story of these two contrasting protagonists. From the perspective of writing style, the author's writing skills are quite good, the description techniques and word selection are more appropriate, the reading is relatively smooth, and the picture is full of sense. One of the unique features of this novel is that the author quotes many small allusions, which are very interesting. If you are interested, you can also learn about it as an expansion of historical knowledge. Here's a shout out to the author👍🏿 Let's evaluate the author again. When I first read the previous chapter, I thought the author himself was dark and evil. Being able to write about Wei Yueguang's childhood in such a tragic and painful way, I had to vent my emotions to the author. However, when the emotions are pulled out of the plot of the novel, one has to admire the author's dark appropriateness and evil propriety. It is also wonderful to create such ups and downs of the story.

My feeling is that my sister has good writing skills and a good grasp of historical allusions. Come on!