[Transmigrating into a book + Republican era + warlord + substitute + marriage before love + face-slapping and putting scumbags in their place + career]
Song Wantang, a little-known actress in the twenty-first century, stayed up late studying the script for The Warlord's Ninth Princess. When she woke up, she'd transmigrated into the book as the wicked supporting character: a low-born, obscure opera performer who'd been brought in as the warlord marshal's concubine, a stand-in meant to comfort his beloved Ninth Princess.
According to the original plot, when the real Ninth Princess returned to the country, the original character refused to give up her position and make way for her. Instead, she relentlessly targeted the heroine, sowed discord, and framed her, creating endless misunderstandings and proving herself the most diligent catalyst on the protagonists' road to love.
In the end, the warlord personally drove her to her death. She was cursed by everyone and met a tragic end.
After reading the plot, Song Wantang could only curse: “Whoever wants to be this cannon fodder can have the job!”
Competing for a man? No way!
All she wanted was to stay away from the main couple.
And that cold, ruthless warlord marshal who only had eyes for his beloved?
Song Wantang declared, “As soon as the heroine comes back, I'll pack up and leave.”
But as she waited, the beloved returned.
Yet the one who had to give up her place turned out to be someone else.
The marshal, usually decisive and ruthless, cornered her against the wall, his eyes bloodshot and his voice low and hoarse. “Wantang, didn't you say it was all just an act?”
“Then why... did I end up giving you my whole life?”
After transmigrating into the book, the heroine is determined to change her fate.
Listen well 🙂🙂
In fact, I prefer Fu as the male protagonist. He made mistakes at the beginning but tried hard to change. It's a pity that there is a man named Li between them and they have a child. Forget it, let him go.
The writing is okay and the plot flows smoothly