In the Police Station: the Beautiful Boss Fell in Love with Me

In Japan in 1996, the economy was in a severe downturn and social security began to deteriorate. Han Minghun transformed into a criminal policeman named Mitsuhide Nagasawa, and the story of his continuous growth after a fight with his beautiful boss. In just ten years, he made the whole of Japan remember the name Nagasawa Mitsuhide. He constantly switched freely between angels and devils. Many authoritative magazines even ran headlines like "We would rather lose ten years again than this devil." The protagonist is a prodigal son, and his reputation is that he is a sinister person. He is decisive in killing, not a saint, and is simply a cool novel. Male protagonist: Mitsuhide Nagasawa, a typical sinister man, a snarky policeman, graduated from a prestigious school, was suppressed by his superiors and was demoted two levels to the Shinagawa Police Station. From a patrol department with a bright future, he became a bitter inspector. Heroine: Misa Yamaguchi, who comes from a prominent family, is the only daughter of Shinagawa Police Chief Otori Yamaguchi. She has a voluptuous figure, a typical greenhouse flower, but is unwilling to stand in the shade of her father's generation. She always longs to be recognized by others, and her mind is relatively simple compared to her chest. Male supporting actor: Junji Fukuyama, 31 years old, a typical refined egotist with a humble background. He has worked hard for ten years and has made a lot of achievements. However, in Japan, which attaches great importance to inheritance, his upward path is almost blocked. Female Supporting Actress 1: Natsu Sakai, the woman of the club boss, looks weak but has deep thoughts. Second female supporting role: Saori Koda, 34 years old, a beautiful congressman, who has helped the male protagonist a lot in his growth, and they have a lot of intersections. Big Villain: Shingo Eguchi, the head of the 1st Investigation Section of the Metropolitan Police Department, is the mastermind behind the devolution of the male protagonist.