Survival in the Mist: the Price for Goldfinger Is to Become a Lolita

I specially registered an account to rate the author. Spoiler-proof It can be seen that the world view is relatively large, and some settings are relatively complete. Some involve mathematical physics, especially the "discontinuity of time and space" in the fog, which leads to "uncertainty" of the players' next step and shortcuts in the relative distance between the player and the shelter. Some places are quite brain-burning for some readers. For example, when the protagonist walks through the maze, the change in the relative distance between the shelter and the protagonist is interpreted as symmetry on the x-axis and the y-axis, etc. As well as the concept of "divine machine" which is similar to the iron-collapse star god, as well as the construction, survival and exploration links, etc., It can be seen that the author has integrated many world views of games and other games. When reading, you have a feeling that you are really playing the game, because he added many nouns and explanations to many construction and exploration aspects. In this regard, I am very curious about how the author came up with so many names, such as crystals that replenish energy for "fire", as well as so many kinds of wild vegetables, names of materials, etc. Of course, there are quite a few elements of memes in the article, but they cannot be considered abuse, they can only be said to be used more appropriately. Overall, you still need to be careful when reading this book. Although the plot is not complicated, some of the settings can be seen that the author understands the meaning of the settings and tries his best to explain them in clearer terms. And I am looking forward to what the author will write in the follow-up to this book. On the other hand, regarding the main line, I saw some comments saying that the main line is not very clear at the moment, but I think this is more like an open sandbox game, just like Minecraft. Even though there is no plot, many players are still addicted to survival, construction, and exploration. This depends on how the author arranges it. By the way, the author's xp is also intriguing. It's hard to imagine what kind of plot will follow... All in all, I personally think this book is pretty good. The writing is also pretty good. If the book matches the radio wave, it will be pretty good. I look forward to the following chapters.

I feel that the upper limit is very high and I look forward to the follow-up. Since the world is determined by people's thoughts, is it possible to stitch up history? We can figure out the weird Hitler Bonaparte, etc. After all, so many people know what happened to the entire elite boss?

It's good to watch, but it's a pity that it was discontinued. The author's grasp of the plot is okay. If you like to watch the Ke series, you can check it out. As for the shelter, it looks like a novice protector. Maybe in the early stage, the combat power collapsed and it was difficult to write. The later settings are a bit forced, so it is a bit difficult to write.

This novel is very helpful for sleeping. Every time I read it, I put on my headphones at night and start listening to the novel, and I fall asleep while listening. I've almost finished reading it, so here's a good review [laughing]

It's good to watch. I think future plots can be more invincible-type articles.

It looks great, I look forward to the follow-up 10 or even 9 out of 10

I feel like the author has his own ideas and a worldview that he wants to write about. If the author writes according to his own ideas, this book may become a classic (of course, it will be very niche). But I think the problem with this book is that the protagonist's dominant position cannot be seen (my personal feeling). In Orange Literature, the protagonist can be tolerated, he or she can have no power, or even no talent, but there must be that sense of dominance. Is a protagonist without dominant power still considered a protagonist? (Personal opinion) Of course, the main character can be abused without it, but I don't think the author had this in mind. Maybe this book hasn't reached the point where the protagonist takes the lead, and the protagonist doesn't have the power to speak loudly in front of the characters who appear, but I feel like it's better to go as quickly as possible... In addition, I feel that the current protagonist is more like a doll or a toy? (A little feeling) How can I put it this way? I feel that the protagonist's distortion may have never been lowered. I don't know why I think so, but I just feel this way. I feel that the protagonist has not completely regarded this body as his own, and does not have that kind of love and care for this body (my own opinion). I will see if it changes in the future.

I haven't finished reading it yet. The early survival experience is similar to the style of the dark forest. But whether the author has made reference to this game, I have to say that the first few chapters are really similar. It would be great if the monsters and merchants in the dark forest can appear! I really like that you never know when you will be happy with how many monsters you will encounter in a night!

The author is a genius, and the skin-covering section can be said to be a genius in the true sense. The first-person narrative starting from cognitive hazards and tampering with common sense directly brings about an absurdity, and actively adapts to the current background of the self-narration and dialogue. The solid language art, realistic painting style, nonsensical and funny dialogue, and the reasoning that is closely connected with the "self" logic, it is difficult to imagine the author's mental state when he wrote it.

It's very interesting. It seems that the logic is relatively tight, the plot is smooth, the motivation is clear, and the description is vivid and vivid. It is really a masterpiece of Confucius. The famous sentences are like the wind on the sea and the land. The wind and rain come and the land does not move. It will be passed down through the ages.

Lily... Hehe... Lily hehehehehehehehehehe

Awesome, the setting is great In addition, I would like to ask the author if he can add some biological ecology with the characteristics of the fog realm, such as making some ecological reconciliation between the creatures native to each world and the creatures derived from the fog realm itself, to reflect a strange feeling of indifference (after all, time is discontinuous, so the time scale for evolution will be relatively small). I feel that the current monster design is too ordinary, but the environment and seasonal settings are quite amazing. It is a pity not to match it. If you need help, I can work with you, I am more experienced in this aspect. I briefly understood it. From Luna's narration, my understanding is that the time of the fog itself is fragmented with space. Therefore, Luna, an aboriginal person, can collect information from different aspects of time while traveling in the fragments. A certain information group can be used as an anchor point, linked through a "road guide", and then followed. The protagonist and the shelter are the anchor points, so without the need for a road guide, he can directly return to the shelter while avoiding the pursuit of monsters. So based on this setting, we can set up a chaser who can build his own timeline, jump directly to different time and space fragments by adjusting his own time state on the spot, and achieve a displacement effect comparable to a somersault cloud through spatial displacement. Or you can set up a kind of "spider" that will use a certain location as an anchor point and use the existence like a "road guide" as a thread to build a spider web, so as to be able to perceive information from multiple time and space fragments at the same time, and at the same time have the ability to quickly travel to a certain time and space.

The main character is cute, it would be nice to have more stickers

It looks good, but now I suddenly have a question. The protagonist goes to mine in the Great Rift Valley and then digs back twenty meters to the shelter to directly connect the two spaces. Then if he goes out far away, can he dig underground first and then dig back to create a shortcut?

Why is the rating so low?

Everyone who understands understands, and those who don't understand don't understand [sending my heart] [sneaky smile]

I have read several books like this, and each time I can only find a little bit of good stuff [crying]

I personally feel very good. It would be better if the protagonist were stronger.

The shortcomings are not enough. The good ideas are very well thought out, the heroine is also very cute, and the plot is very smooth and not too abrupt. Overall, the future is promising.

Gray often looks good (˵¯͒¯͒˵) Nice⌓‿⌓

Take all the pressure to avoid being targeted by audits

It's pretty good, but it's a vegetarian food.

Ah, another day that challenges our cognition

Damn it, why is this thing so pretty?

Please rate it first and come back if you have any questions later [smile] The plot is a bit slow, mostly supplements to the worldview. I hope the author will write more main plots in the future, keep up the good work [Like]

I don't know what to say, but I personally think it's good. I'll review it after dozens of chapters have been updated.

I feel like the plot is pretty good, the setting is reasonable, and it's quite attractive. I didn't watch this for 30 minutes.

It looks good. I like how the protagonist's character is so cute. The world view feels like the MC has added a super-realistic Mr. Bei, and it's in the fog.

It's very beautiful and one of the few that I've been able to watch more of.

The setting is grand and the description is coherent. Through the protagonist's experience, we can get a glimpse of a corner of a divine war.