Stay Away, Heroine! I’m the Villain

The word "over here" seems to be a bit too much. Don't you think it sounds weird to read? 🤔

For a new author, there are too many adjectives. It is more like writing an appreciation essay, with beautiful words, but from the perspective of a novel, it is just a piece of nonsense. In addition, I haven't learned how to write novels yet, but I have learned how to write novels first, and I am better than my master. Other authors just use the talking system to show off their skills, and this guy Tiandao also used it. . .

I'll add a bookshelf first. I listen to books, and it's still 1.8 Times. Sometimes it's on your side, and sometimes it's on my side. It sounds really uncomfortable. I'll read it when I have time.

Let me talk about the conclusion first: the plot design is very good, but the writing is not good. I couldn't bear to read thirty chapters. The third golden chapter made me feel that Mr. Wang has a successor, but the subsequent plot was not satisfactory. The author's writing skills need to be improved, his colloquialism is serious, and there are too many grammatical problems. It seems really uncomfortable. The setting of the villain story of the multiple reincarnated heroines who turn against the will of heaven can completely refer to the framework of Mr. Wang's book. It is stable and exciting. The rebirth of the heroine has been protected from lightning in advance, but the 1,234 free reincarnations are still missing. If the patch is not applied, all the previous efforts will be wasted. It is easiest to just add a sentence that the protagonist joins the way of heaven and restarts the world directly, which is also in line with the character design of the way of heaven set by the author. It is also rare for the protagonist to take the initiative to think after the plot changes, instead of "why not follow the plot" or "should I xx the heroine should xx". There is no case of following the plot for the sake of following the plot. However, the plot in the first part is still serious. The protagonist, who has mastered the script for several games, is like a child playing house when it comes to dealing with the issue of a traitor in the company. Even if he is threatened by heaven and dares not to eradicate the root, he must at least be prepared for passive defense. The plot processing here is inconsistent with the male protagonist's character, and the subsequent plots are too hasty, as simple as a primary school student's composition. The male protagonist is also very strange in how he handles his relationship with Mu. After having a clear goal, why does he still engage in meaningless pulling and unimportant things?

Enn, I think Shuizi is not that cool as you, right? It doesn't look very comfortable either.

Come on. Try to keep it as a harem. If you follow a single path, it feels like you can't hold it back. 🤔🤔🤔

Finally, I stopped pushing the heroine out. Finally, everyone wanted to see it

After reading a few chapters, I just have one question, which chapter of Mu Qingxue should I recommend? If anyone knows, please reply. Thank you! ❤️

It's quite nice and the needle doesn't prick it.

It's beautiful [admiration], is the heroine clean? The Dragon King wouldn't have succeeded in the last few generations, right?