Matriarchy: The Wayward Young Lady Doesn’t Want to Be Empress

Female-dominant world, one-on-one romance

The princess who “does one good deed a day” VS the “sweet and obedient” mute wolf cub

Su Yang has always been the sort to take life and death in stride, fight anyone who crosses her, and get buried wherever she happens to die.

After an accident, she promises a “wolf cub” “the three betrothal letters and six rites, with a wedding procession stretching ten miles.”

The wolf cub hears this and cries so prettily it breaks your heart, but inwardly wonders: What are the three letters and six rites? If we've already slept together, isn't that enough? Why make things so complicated?

Su Yang rarely wants a “wolf cub” to keep her company for the rest of her life, but she never imagined this one was really a “fox of a thousand faces” in disguise.

“A fox, huh? Then I don't want you anymore...”

Su Yang props her chin on her hand, still as languid as ever.

But all the tenderness of the past vanishes with those words: “I don't want you anymore.”

In the end, the fox tugs at Su Yang's sleeve, looking utterly aggrieved.

“You said you'd marry me with the three betrothal letters and six rites, with a wedding procession stretching ten miles. How can you take it back?”

The cold hilt of a knife glides along the fox's mask. “We'll talk when you look like a human.”

The evil flower that blooms from a wicked seed is all the more dangerous and alluring.

There isn't much romance. The male lead is mute, though he may be able to speak later on, which could lead to more romantic scenes.

I, the author, guarantee the heroine's personality!!