Longevity: A Well-Connected Immortal Court Official Slacks Off in the Mortal Realm

It is rare to see a book on Tomato that describes normal people. There is no obscenity, no fantasies about middle school, and no show off of IQ. The plot of the story is logically developed, and the quality is worse than the ten on the recommendation list. Many of the titles of Tomato's books have the air of a street gangster who has never gone to school, and the storyline feels like he has been mentally polluted after reading it. In this environment, this book is simply a breath of fresh air. Although some settings are borrowed from Xuanjian Xianzu and other online works, it doesn't matter, these are not important. If you can tell the story clearly and refreshingly, it is better than 99% of online works. Author, please keep working hard and hope you can become a god.

I like the style very much. I feel that it is better not to have a heroine CP in the longevity novel, but to have a Taoist couple (this Taoist couple is not a male and female Taoist couple, but a fellow Taoist, companion, and like-minded person). I hope the protagonist does not want the Virgin, but currently there is no such thing. Of course, the above are just some personal suggestions. The author can just follow his own ideas. [Like post][Please update]👍

I've only read half of it now, and I can't help but comment. The author's portrayal of characters is so good. This novel has some group portraits, but the main plot is still the protagonist. Every supporting character is really portrayed with flesh and blood, which is particularly exciting. It may be okay at first glance, but the more you look at the characters, the more vivid they become. This kind of writing style is rare in the world of online literature. 👍👍👍👍 I really want to deduct one star, but I still hope the author will work harder, so I still give it five stars. The details of the plot in the latter part are not as good as the previous one. There are no particularly outstanding people and things, which aggravates the description of the protagonist. However, the description of the protagonist is really average. I prefer the original protagonist as an immortal who observes the changes in the world and understands human feelings. This is also the pitfall that I first encountered after reading the introduction. Although the protagonist still behaves steadily in the later description, the psychological description of the protagonist highlights the arrogance of being protected by a god-level destiny, a feeling of being superior to others and looking down on others. First, he looks down on Han Tianzun, who is two levels higher than himself, and then does not take the one who is one level older than oneself in the eyes, and even feels that one level one level above oneself cannot hide from his own spiritual thoughts. The protagonist in the back has a feeling of Long Aotian, but in fact, apart from his innate cultivation qualifications, destiny and Taoist resources, the protagonist has nothing far superior to others. Whether it is planning or character, he can only be considered above average, but the protagonist seems not to notice it at all. Yes, you need to know that there are people outside the world, and there is a sky outside the world. They all see that the "ordinary" Han Tianzun can transcend his imagination (even if he is a Taoist reincarnation, but the protagonist does not know), he should also understand that fate is not everything, and he should not look down on people in the world. But the protagonist has always been like this. If it weren't for the protagonist's halo, he would have fallen down long ago. Forget it, let's deduct one star. Let's deduct another star. Later on, the protagonist's thoughts become more and more shameless and villainous, and he gets more and more involved. I feel that the protagonist has nothing but fate and the tricks given by Daojun Dao Zun. If someone else is given these tricks, he will be no worse than the protagonist. The protagonist himself has average intelligence and average understanding. Even his personality charm is getting less and less. Apart from good luck, he has no redeeming qualities.

When the plane was about to take off, I glanced at it. I saw Sichuan all the way from Xinjiang. It was so enjoyable. What a great book. The writing is first-rate. The rhythm is reasonable. The plot is compact. It is really a waste to put on a tomato.

Fairy grass, nine point six cents. The writing style of this book has the feel of Water Monkey from Next Door. It is not like ordinary novels that are straightforward and the whole story is spoken in vernacular. The plot is highly original. It opens with a story about the centuries-old practice chosen by the immortals, and then the protagonist's path to immortality, which is very novel. From the vicissitudes of the years of immortality and immortality, the difference between immortals and mortals, and watching the protagonist step by step until he is about to form a pill now, it can be said that the plot is compact and interlocking. There are no old tricks or poisonous points, it is an absolutely excellent work on cultivating immortality.

This book has limits. This book is quite good. Its subject matter is different from the current mainstream books such as Shuangwen Xiuxian and Long Aotian. The author carefully depicts the characters. Including the mortal dynasty at the beginning, the Xiuxianfang City later, and the battle between good and evil later, the method of cultivating immortals is downplayed, and the people who cultivate immortals are strengthened. Most of the plots are written to serve the portrayal of characters, which has the flavor of mortal flow. After all, it captures the key point that people are the core. The writing and plot are actually not redundant. For example, there is a lot of writing describing the imperial sister in the middle. It also highlights the feeling that mortals are also wise and have a strong obsession with seeking immortality, but they suffer from not being favored by fate. The plot arrangement is reasonable and there is no sense of fragmentation that suddenly imposes things. It can only be said that this book has a threshold, and the author has accumulated a lot. There are many things that need to be scrutinized. For example, the struggle between the middle princes for the throne is the epitome of the Chinese dynasty, and it is written well without being too stretched. Writing this paragraph is also paving the way for the high IQ of the protagonist later (after all, an ordinary person has traveled through time, even if he has a golden finger, he is still a stronger ordinary person. Without the support of wisdom, he will only be used as food in captivity in the later ending). Of course, it would be more perfect if the author updated it faster.

The author did a very good job in character creation and understanding of the world in the early stage, which is rare in Tomato. However, after turning on the cultivation of immortality, the overall level dropped sharply, and then the protagonist was forced to go to the battlefield, so that he changed the map to the Falling Star Sea, and the logic collapsed directly. There were various mechanical deities, and writing from the perspective of God was a bit uncomfortable, but the early stage was still very good. Alas, after more than 200 chapters, the content is as if it was written by a different person. It doesn't look like it was written by one person at all. The logic explodes and it turns into a son-in-law pretending to slap Long Aotian in the face. It's enough to see the protagonist before he goes to the battlefield, and then he will be poisoned and die.

Well written so far! The logic is clear and much better than some mindless articles. Great support for the author!

It's very interesting. The protagonist is not like the previous Changsheng-ryu novels where he either has mediocre qualifications or is so stubborn that he is constantly changing with the times. The protagonist in this novel is like an ordinary monk, with very good talents, but he deliberately hides them just to be safe. It's not that I'm fighting for everything, nor that I'm fighting for nothing. It's more like I'm practicing to experience life and control my own destiny. In the beginning, there will be some problems if you rely on connections, but it's not unbelievable, but it's pretty powerful. Some comments say that this novel does not reflect the changes in the world of the Changsei-ryu, but I feel that it has been reflected in the people the protagonist knows many times. Because of lifespan and talent, the protagonist will eventually say goodbye to each of his relatives and friends. Only those with a hard enough life can always stand on the shore. This book is not a pleasant read, but it is really good-looking to me, and I like this kind of story that develops slowly without wasting time.

Not too bad, not too complicated and suspenseful, but also logical, suitable for watching in a relaxing way without thinking too hard. The writing style is natural and appropriate, without being stiff or trying to be clever. Deduction of one star, two points. First, there is no major work, and the novel seems to be displeased with the mountains. The current conflicts are not sharp enough. Although the longevity novel is more ordinary and ordinary, it still needs a little crisis adjustment. You can put the protagonist in a relatively safe position and experience a big storm on the edge of the incident. Second, the Xuanjian stems are too dense and cumbersome in comparison. It is recommended to reduce them later. Things like "I'm just ordinary Han Tianzun" or "It's okay if I become a respectable person" have been deconstructed on the Internet for a long time, and readers will smile knowingly after reading it, which is quite interesting. However, some of the inspirations in this book obviously come from different sources, and they have not been widely deconstructed on the Internet. It is best to avoid suspicion and deconstruct it yourself when mentioned. If you feel that the reader can't laugh after reading it, change the wording and move the position - for example, the story about the real person moving mountains is so stiff that it looks stitched together. I prefer this kind of immortal protagonist novels, but the ones I read before were basically unfinished. I hope the author can write this book smoothly.