[Torturing scumbags + both reborn + palace and household intrigue + satisfying revenge + devoted couples, both chaste + happy ending. A cold, brutal, fragile, and possessive prince who is cruel to everyone else × a clear-headed heroine reborn with regrets, yet hopelessly romantic] On their wedding day, she drove a sharp blade into his heart. He asked, “Why?” She replied, “You deserve to die.”
She wanted to save him, but her own younger sister betrayed her. As she lay dying, she thought, “Xiao Chengyin, if there is another life, I will love you properly.”
Later, she was indeed reborn, but in this life another woman was at his side, and he no longer loved her.
Fate did not arrange things as it had in her previous life. Fortunately, she eventually became the one dearest to his heart.
“A Yin, I won’t lie to you.”
“A Yin, I’m staying with you.”
“Nan Huaizhi, are you going to kill me again?”
In the face of destiny, human strength always seems so insignificant. Yet neither of them believes in fate.
Five years later, she stroked her round belly, carrying twins. As she neared childbirth, she said, “A Yin, in this life, I can finally love you properly.”
The female protagonist is very love-minded, but I don't see what the male protagonist deserves for her to love so much. Since she has given her life back, don't mess with yourself by becoming a concubine. And I'm really convinced that you didn't kill your stepsister. Your stepmother is so proud.
I have always found the theme of twins to be very interesting. Although it is a bit off-kilter in the middle, it is better because it is fast-paced and does not get too repetitive on one plot. The male and female protagonists are quite talkative and their emotional lines are very clear. In fact, at first when I saw some monologues with modern modal particles, it felt like a drama, but later I got used to it and felt that it was also a feature. The male protagonist was so cruelly abused in his previous life that he was quickly moved by the female protagonist to forgive her, a classic love brain. As for the female protagonist, I think she felt guilty towards the male protagonist with an atonement mentality. At first, she faced the male protagonist with an uneasy and heavy mentality. Suddenly, the scene suddenly brightened and she fell in love with her, which was a bit caught off guard. But one thing is good, a lot of things have changed, and the scene that reflects the adaptability of the hero and heroine has arrived.