[Abuse of a scumbag + double life + palace fight + revenge and love + double love and cleanliness + HE, a cruel and cold-faced yandere and fragile prince vs. A reborn, repentant, sober, love-minded heroine] On their wedding day, she pierced his heart with a sharp blade, and he asked: "Why?" She replied: "You deserve to die."
She wanted to save him, but was betrayed by her own sister. Before she died, she thought: Xiao Chengyin, if there is an afterlife, I will love you again.
Later, she was indeed reborn, but in this life, there was another woman beside him, and he no longer loved her;
Fate had not been arranged as it was in the previous life, but fortunately, in the end, she still became the person who was at the top of his heart.
"Ayin, I won't lie to you."
"Ayin, I'm determined to follow you."
"Nan Huai Zhi, do you want to kill me again?"
In the face of fate, human power always seems very small, but neither of them believes in fate;
Five years later, she caressed her round belly and gave birth to two babies. When she was about to give birth, she said, Ayin, I can finally love you well in this life.
Reader comments
I have always found the theme of twins to be very interesting. Although it is a bit off-kilter in the middle, it is better because it is fast-paced and does not get too repetitive on one plot. The male and female protagonists are quite talkative and their emotional lines are very clear.
In fact, at first when I saw some monologues with modern modal particles, it felt like a drama, but later I got used to it and felt that it was also a feature. The male protagonist was so cruelly abused in his previous life that he was quickly moved by the female protagonist to forgive her, a classic love brain. As for the female protagonist, I think she felt guilty towards the male protagonist with an atonement mentality. At first, she faced the male protagonist with an uneasy and heavy mentality. Suddenly, the scene suddenly brightened and she fell in love with her, which was a bit caught off guard.
But one thing is good, a lot of things have changed, and the scene that reflects the adaptability of the hero and heroine has arrived.
The female protagonist is very love-minded, but I don't see what the male protagonist deserves for her to love so much. Since she has given her life back, don't mess with yourself by becoming a concubine. And I'm really convinced that you didn't kill your stepsister. Your stepmother is so proud.
I have always found the theme of twins to be very interesting. Although it is a bit off-kilter in the middle, it is better because it is fast-paced and does not get too repetitive on one plot. The male and female protagonists are quite talkative and their emotional lines are very clear. In fact, at first when I saw some monologues with modern modal particles, it felt like a drama, but later I got used to it and felt that it was also a feature. The male protagonist was so cruelly abused in his previous life that he was quickly moved by the female protagonist to forgive her, a classic love brain. As for the female protagonist, I think she felt guilty towards the male protagonist with an atonement mentality. At first, she faced the male protagonist with an uneasy and heavy mentality. Suddenly, the scene suddenly brightened and she fell in love with her, which was a bit caught off guard. But one thing is good, a lot of things have changed, and the scene that reflects the adaptability of the hero and heroine has arrived.
The female protagonist is very love-minded, but I don't see what the male protagonist deserves for her to love so much. Since she has given her life back, don't mess with yourself by becoming a concubine. And I'm really convinced that you didn't kill your stepsister. Your stepmother is so proud.