Being a Witch Is Really Not Easy

How should I put it, look at it as a whole. The feeling I got from the first volume was that at the beginning of the game, the heroine was either being tortured or on the way to being tortured, and all the people she met were big guys. The heroine is just a novice, and then she took away the body of a witch from the Hundred Palaces. She doesn't understand anything, she only has a look. Not only does she have no knowledge, no cultivation, no spiritual roots, and no common sense of this world (fortunately, she has a little memory left by the original owner) Fortunately, the heroine has two cheats, one is the initial conversion, but this is a really light system, it cannot be said to be useless, it can only be used because the sense of presence is too low. The other is the most critical future incarnation. How should I put it? My first impression is that I am obviously omniscient and omnipotent, but I just love to be a Riddler (of course there may be limitations). But occasionally, the heroine will be given some temporary power to create karma, repair spiritual roots, etc. (My understanding is that this will be helpful in the future, to put it bluntly, it is just digging a hole) The heroine repaired her spiritual roots, but because she didn't have the memory of the original owner, she couldn't practice and couldn't break through the realm. The result was that she was still very weak, with only the lowest level of spiritual perception. The first vest that I just changed was easily seen through. Then, starting from the end of the first volume, the heroine meets Lina. From here on, the emotional line has just begun to develop. Finally, the first volume ends with the heroine being brought to the Western World by Linna (the process also includes the Ancient Road to the Earth and the Sky, and the Ancient Road to the Starry Sky, which I am somewhat looking forward to, because there are creatures of the genocide type in it) And in the second volume, it gives me the feeling that the West World is the beginning of the heroine's transcendence. There is a small climax here where the heroine is turned into a blood hug by Linna and loses her human body. This is also the beginning of the relationship between the heroine and Lina. Then the heroine has a new appearance, a vampire body with silver hair and red eyes. Later, the author's writing style became more daily, with the heroine having a loving relationship with Lina in the castle. Light hundred, hundreds of things become true hundred. Now that I have seen the academy chapter, what is shocking is that Lina actually confessed to the heroine and the two are still together. This is really true. Summary of Volume One: The heroine 'accidentally' took away the body of the notorious Witch of the Hundred Palaces, but she did not inherit the original owner's cultivation and memory. Instead, she was burdened with fatal flaws such as "a severely damaged spiritual root" and "a fragmented memory". This "hell at the beginning" setting intensifies the pressure of survival, and the heroine has to disguise her identity and survive every step in a crisis-ridden environment. Also, through settings such as "Future Dialogue" and "The Riddler", this book constructs a fateful closed loop controlled by invisible forces. The heroine needs to gradually uncover the conspiracy behind God's will through the omens of the future and the fragments of the past truth, and break the established destiny. This main line is both full of suspense and gives the heroine depth of growth. Furthermore, the system functions are weakened and only exist as auxiliary tools (such as initial conversion of capabilities). Statement! ! ! If you've read too many cool articles, don't read them! ! ! The heroine is not the traditional "Long Aotian", but a contradictory person who is both fragile and cunning. She is also easily influenced by the will of God, and thus has "crazy thoughts"... The heroine must not only maintain her identity as a witch but also find herself in the entanglement of fate. Disadvantages: Because the label is slow-burning and has a long preliminary stage (such as spiritual root repair), it may dissuade some readers who pursue a fast pace. Future hints and fateful prophecies are mostly presented in a cryptic way, and some foreshadowings are slowly recovered (such as the ultimate goal of "God's will"), which may cause confusion for readers. System functions (such as initial conversion) are emphasized in the early stage, but gradually marginalized later. This light system is really light!

I didn't understand it, but I was shocked. The Riddler? Like a mystery! When the gods from all walks of life meet, it must be a riddle, but the riddle will be solved immediately. My impression is that I don't understand even those who say a lot of things in classical Chinese, so I turn around and repeat them in vernacular and then give intuitive answers. Alas! I understand, then if the question is answered, it shouldn't be considered a riddle. But although the question and answer completes the closed loop, the problem itself is that pasta mixed with No. 42 Concrete is meaningless. The question is posed to obfuscate and riddle it. Is the article poisonous? I don't know, let me tell if a food is poisonous but I don't even know if it's food. Is the article good? Oh, man, you can't evaluate something you don't understand.

The writing style is there, but the setting will make people uncomfortable (not scolding). Fatalism is a thing that relies on, and it is easy to make people angry. This article focuses on fatalism, and fatalism is the paradise of the Riddler. So you will see: 'This person will have a great impact on you in the future', "Good or bad?" "I can't say, because this is a given fate." "Why is my fate a given?" "Because of the given fate, you eventually embarked on this path." The above may not be accurate, but it is definitely a necessary hook for fatalism. To put it bluntly, fatalism is a foreshadowing of fatalities. The pleasure of fatalistic articles comes from the sense of enlightenment that comes one after another after the foreshadowing is revealed. However, the large amount of fatalistic foreshadowing itself is a kind of shit mountain code, which is very selective for readers. You have to be patient enough to read and remember these foreshadowings in order to have a good impression. Otherwise, you have to look for the impression elsewhere. If you read this book review, I suggest you read it from the beginning without skipping a beat. Of course, it's okay to skip reading. Only the author cares about the completion rate [face covering] When reading a book, being happy is the most important thing

The author's setting is good. The future self can communicate at any time and understand the direction. The past self can clarify oneself. The revenge goal is the main focus. However, few people have read the book, and the climax may be a bit lacking.

I have now read Chapter 42 of the second volume, but if the content is interpreted in the form of animation, these 42 chapters only have one and a half episodes (a slow-paced animation). If you use 2 or 3 thousand words as a standard, these 42 chapters are equivalent to one hundred and twenty chapters. There are too many meaningless details. When you update, it may be intermittent and it feels okay, but as a reader, it is better to string the content together. Reading them all together is really exhausting (mentally). I read novels while listening and reading, and I am more attentive. However, I always get distracted while reading the second volume up to this point, and then I have to read back (for fear of missing important content). When I flipped through it, I found that there was no focus, and it was all innocuous details (all the feedback I gave was negative feedback, and I was exhausted physically and mentally). The reason why I want to keep reading is because I really like the portrayal of Kunagawa (but other characters are really not good, including Lina and Sylvia) The reasons why fewer and fewer people are reading these chapters have already been listed. If you want to change it and introduce new readers, you can only rectify this part (the rest is unclear), but the amount of work is huge, and it is difficult to say whether the final result is ideal or not, and it will affect the stability of the update. (Very few people would read a novel back. Before it is finished, the corrections may become useless.) Above, I hope it gets better and better in the future. There is n, but the fault lies in God's will. I never thought that the author would elevate it to this level, but it seems more reasonable because the protagonist is not the protagonist of a cool novel. He cannot be absolutely rational and will make mistakes. Ordinary people cannot compete with God's will. It is inevitable that it will dissuade many people. I hope the protagonist can wake up and grow through these experiences, and then finally escape and fight against God's will. If the ending is he, it should generally go like this

Baihou, give me some encouragement

Just like this riddler [cool] [cool] [smile] [smile]

It looks good, and the setting is also good. Now I see Linna and the protagonist together, and I am curious about how it will be connected with the Liu Ruyan in the front. Also, Lina and her first love didn't feel resolved enough, and it seemed like they had killed their first love and were still a little attached to them (I hope I can just give up on my first love, it's just a bit awkward for me personally, haha). Overall, what I've seen so far is pretty good, I like it.

Wow, it's very beautiful and novel [I'm full] Come on, author!

The author's writing style is very good. In the early stage, the festival was okay. It felt like the main plot was officially started after becoming a vampire. In the later stage, Hajichuan (the author) was locked in a small black room for a period of time and his mental disorder was exposed🐂. However, he has recovered now and has returned to normal in the follow-up. All in all, it is a story flow, good writing, and a very productive Lily novel.