There is a medical clinic called Jiansu, which does not treat monsters but only ghosts.
There is a coffin shop with no name and no plaque. It does business with both living people and dead people...
Reader comments
At first, I thought Zhongxu was the male protagonist, so I always regarded him as the male protagonist. It was not until King Ruian (also known as Shiye) and the female protagonist had more and more intimate scenes that I realized that I had chosen the wrong male protagonist; and in the first episode of Wen Yue, the maid kept yelling and screaming around the female protagonist, which was a bit unpleasant. , Seeing her unusual identity in the end; and the Queen's ruthlessness, dragging Jiang Qionglin into the situation in order to bring down Concubine Shu (although the Queen was indeed kind to her), and finally holding back for two years in order to eradicate Gongsun Miao, the death of two loyal ministers was not worth it for them. At the end of this book, the male and female protagonists are not together, and the people around the heroine are separated, which is sad.
It's really beautiful. Each flower god has his or her own personality and their life journey is also different. They are sad, happy, sad and angry. The author portrays each person vividly, as if he is immersed in the scene. I especially like the volume about the crape myrtle. Xu Weizhou's family and country's righteousness is heart-warming, and the heroine is also portrayed very well. She is Ksitigarbha, but she also has her own emotions and desires.
At first, I thought Zhongxu was the male protagonist, so I always regarded him as the male protagonist. It was not until King Ruian (also known as Shiye) and the female protagonist had more and more intimate scenes that I realized that I had chosen the wrong male protagonist; and in the first episode of Wen Yue, the maid kept yelling and screaming around the female protagonist, which was a bit unpleasant. , Seeing her unusual identity in the end; and the Queen's ruthlessness, dragging Jiang Qionglin into the situation in order to bring down Concubine Shu (although the Queen was indeed kind to her), and finally holding back for two years in order to eradicate Gongsun Miao, the death of two loyal ministers was not worth it for them. At the end of this book, the male and female protagonists are not together, and the people around the heroine are separated, which is sad.
It's really beautiful. Each flower god has his or her own personality and their life journey is also different. They are sad, happy, sad and angry. The author portrays each person vividly, as if he is immersed in the scene. I especially like the volume about the crape myrtle. Xu Weizhou's family and country's righteousness is heart-warming, and the heroine is also portrayed very well. She is Ksitigarbha, but she also has her own emotions and desires.
Very beautiful, I like it very much
This story is a bit long