Supernatural Affairs Bureau

The writing is very good, surpassing 99% of the books on the platform, but it is a little bit sadistic. The essence of online writing is still refreshing. Of course, it is not the kind of mindless and refreshing writing. This kind of writing has a relatively small audience. The author can consider changing it a bit. There is not so much bitterness and hatred. After all, reality itself has many unsatisfactory things. Novels should be more enjoyable when used for entertainment.

It's a slow-burning but good-looking book. It has the same feeling as when I read the mysterious book in the past. The paths that appear have their own spells, and there is a big framework. It is a very orthodox book. It's too slow. Chapter 400 is still living a small life in the market. I can't hold my head up in front of the immortals. I can't even look directly at the spiritual sense. The second volume is a failure. I discarded the past of the first volume. I found a bad job and "worried about being noticed by the immortals" and didn't report Kui Mulan. I didn't dare to turn around. He inexplicably abandoned everything in the first volume and started a new life with the second life provided by "Origin Castle". He said it was for revenge, but in fact he was writing about the market and exploring small life. I don't know what the author was thinking and conceiving when he wrote the second volume?

After reading the first big chapter, the male protagonist is the kind of good guy I want. The protagonist is brave, resourceful, and kind-hearted, but he is not the Virgin or the False Virgin. His love is fraternity, like a person who has just come out of the ivory tower. He is full of expectations for the world, passionate about life, and kind to others. I believe that with greater ability comes greater responsibility. Instead of using your little golden finger to dominate, you will draw your sword to help when the road is rough. The protagonist has a kind of vigor that is completely opposite to the depression and decadence of the protagonists in many Tomato books. It brought me back to the feeling I had when I was a kid watching Ultraman.

Let's not talk about anything else. The author really wrote it carefully, but in fact, I feel that some places are not enough foreshadowing. For example, the part where Su dies. The protagonist and Su don't have much story. If you write her to death like this, it will be difficult for readers to feel sad. The second thing is emotion. For example, you can write about the heroine's help to the protagonist when the protagonist is at a low point. In a good novel, the emotions must be very delicate. I feel that the author is a bit of a novice, but the writing is very good. It is better than most Tomato novels and is not clichéd. Also, the behind-the-scenes revelations later are a bit straightforward, but the writing is really good. Come on, I hope the second volume can be longer and the foreshadowing is smoother. There are not many books that can be read with your brain, and it is a new ability system developed by myself.

A really great novel! I don't know why the score is so low, but the writing is very good from small love to righteousness! After finishing the first volume, I felt somewhat unfinished. The naming of the sequence is also very thoughtful! Come on, author!!!

It is a book that I like very much, so I wrote about it (I don't know why the book reviews I wrote have a strange smell) 1. The Chinese style is very strong, and it incorporates a lot of Buddhism, Taoism, gods, demons and other elements. It can be seen that the author has a very rich accumulation. 2. Very good setting. At present, I have seen the setting of the Yellow Emperor's Inner Canon - the five internal organs are mutually reinforcing each other, and the five internal organs elements correspond to the aura. The seven original sins. Virtue - the setting of the way of heaven. The Book of Changes (guessing) divination and divination. The Classic of Mountains and Seas (guessing) some spiritual animals. 3. The plot is relatively compact, with many links and many foreshadowings. There is a feeling that something happens and then suddenly feels very sudden, and it feels very reasonable after thinking about it. Some suggestions: 1. The elements of the Foundation are a bit few, the frequency of files appearing is a bit low, the elements of Cthulhu appear less, and there is no indescribable and terrifying feeling like Cthulhu. 2. There are some emotional problems, a bit stiff, the progress is too fast, and even makes people suspect that there is an ulterior motive. 3. I saw some people saying that changing bodies is awkward. I don't think it's okay, but it's better to change as little as possible, because it will cause the plot to feel like it's all over the place. 4. The logical relationship between part of the foreshadowing and the plot is a bit complicated. It would be better if it could be explained in the form of the psychological activities of the protagonist (I may have confused memory). To some readers: 1. If you post a comment when you see a typo, you will be deducted from the author if you use the platform to correct the typo. Life is not easy for everyone. To the author: 1. If it doesn't work, just make a push, otherwise there will be no traffic, no income, and it will look very deserted. 2. I don't know why. In some novels, I want to comment on it after just a few sentences, but in this book, there is a feeling of being speechless. It's weird, weird. 3. I hope to integrate more traditional culture, Chinese strange books, historical trivia, etc. Into the novel. The benefits are obvious.

I stayed up late to read it, the characters are vividly portrayed, the description of the big scenes is vivid, and the knife scene also catches people off guard. The only drawback is that some of the plots are a bit stiff, but the flaws are not hidden, it is a rare masterpiece, please update it as soon as possible [Send my heart][Send my heart][Send my heart]

The logic is smooth, the image is full, the system is sound, and the development is reasonable. What is distinctive is that the book's description of God is conceptually strong, and many character arcs are just a lonely boat in the frenzy. Focusing on the description of suffering, the sense of reality has indeed increased significantly. As a result, I am more and more looking forward to the growth of the protagonist. The slow growth makes the watching process more urgent, but it is still a novel experience. Overall quite good. The following is my understanding of some poisonous points mentioned by others (basically it can be explained reasonably): The nature of the protagonist means that he can only play high-end games. The protagonist's personal ability (hang) is too obvious + the enemy (?) Has extremely strong perception, so he has to hide his identity to survive. There are too many high-end games in the early and mid-term (the 5-person fairy fault is stronger than 4, but the protagonist has not yet reached 5. I hope the author will describe this jump in life level in detail. 5 Mainly describes the performance of combat power), which has led to the perception of the municipal supervision bureau (the threshold for using props is high, the intensity of emergencies is high, and I feel that I have tried my best). In fact, almost no low-level monsters ran away. There is almost no cross-regional joint law enforcement capability. This should be because it is difficult to catch immortals. At present, the higher-level combat power (7 and above) has not been demonstrated, and the high-level ones are basically still playing chess (this is the feeling until the middle of the third volume).

Mystery is also one of my favorite novels. When I read this book, I felt a little bit as excited as when I first pursued mysteries. The author really put in the effort and wrote his own thing. I hope the official can provide more traffic and not let the good book be covered in dust. I also hope the author does not want to be a eunuch. Come on!

What I like most is the spiritual core of this book. It is uplifting and positive. The protagonist is also an all-around good person. Instead of being inexplicable and decisive in killing in some modern novels, the protagonist is shaped into a person who can use violence at will without any reason, and then advertises the protagonist as a good person.