[Both leads are completely devoted to each other! Both leads are strong!]
The story of a fallen woman general and a prince with an injured leg.
They've been childhood sweethearts since they were little.
The heroine discovers the hero, whom someone deliberately threw into a dry well.
She climbs down by herself and carries him back up.
The heroine's father can't bear to leave her home alone,
so he takes her with him to the border.
The heroine also has an older brother.
The father and son go to the front lines to fight the enemy.
The heroine learns plenty of skills in the military camp, too.
Later, her brother dies in battle.
The heroine is entrusted with command in a crisis. She takes to the battlefield and fights with fearless valor.
She drives the Nanman into retreat, winning great renown.
Later, the heroine's family is impeached by eunuchs, accused of having grown too powerful and overshadowing the emperor.
They are saddled with the charge of plotting rebellion.
After the heroine returns to the capital victorious, she is thrown into prison.
The emperor strips her of her military command.
The heroine is locked away in a dark, lightless dungeon.
Everyone hopes she'll confess...
When someone wants to pin a crime on you, no excuse is needed. It's just a shame she'll never see the Beiyuan brother she loves again...
It's really uncomfortable to watch this kind of pseudo-shuangjie. The description of the emotional progression is also inadequate and seems very abrupt. It's understandable that you don't like the male protagonist who is not what your female protagonist remembers, but why did you fall in love with a stranger who fell in love with you? Is that stranger nice to you? Although these two people are alone, it really feels like they are force-feeding rocks, no, this is really not good.