Du Lanxin, the daughter of the Du family, was originally a boudoir girl who was ridiculed as an "embroidered pillow". However, under the guidance of Cheng Jingyan, a painter who had returned from Peking, she painted mountains and rivers in all colors. From Shaocheng Haitang to West Lake Misty Rain, from traditional ink to Parisian oil paint, she broke away from the shackles of her family and transformed into a stunning new female painter in the painting world.
He is delicate and elegant, and the old scars on his wrists hide memories of the war; she is stubborn and agile, and her paintings are full of sincerity. The undercurrent of love between teachers and students, the shadow of the fiancée separated by life and death for ten years, the age gap of twenty years, and the collision of old and new ideological trends make this relationship like ink splashed on rice paper - the shade is difficult to control, but it is unforgettable.
A piece of "Awakening" opens the door to art, and a bloodstone seal engraves a half-life bond. From the misty rain in the south of the Yangtze River to the banks of the Seine, they used their pen as a boat and love as ink, and in the ups and downs of troubled times, they painted a transcendent love story.