[Apocalypse + zombies + the Myriad Worlds + chat group + ruthless killings + dark + no heroine + take down the do-gooders!]
Su Chen transmigrates into an apocalypse teeming with zombies.
Zombies are everywhere, and humanity, which once fancied itself at the top of the food chain, can only become their prey!
He thought he’d gotten the worst possible start, but then he joined a chat group!
[Kill zombies to earn points. Spend them in the group shop to buy items from across the worlds, then invest those items in other members of the group.]
With the trillions of zombies in the apocalypse as his backing, he invests across the worlds, obtains their resources, and becomes the supreme ruler of the myriad worlds, worshipped by the group members!
Ying Zheng: “I am the First Emperor of all time. How could my dynasty possibly fall in the second generation!”
Ying Zheng No. 2: “Which idiot said I should just follow the course of history...”
Paimon: “Paimon is not emergency food! Paimon is the Traveler’s best companion~!”
Lin Zhengying: “I, Lin Jiu, know how to drive corpses and ward off evil. Does anyone know how to discipline a disciple? I’d be extremely grateful!”
Lu Mingfei: “If I can save Erii, I’ll do anything!”
Iron Man: “I’ve got a laser cannon, but I’m in space right now and the Mark 7 is almost out of power. Su Chen, can you help?”
Hongjun: “Space? You mean the Great Void? Is it hard to breathe there?”
Iron Man: “…”
Zhuge Liang: “I have a plan to help Young Master Su through this crisis. All I need is a copy of Romance of the Three Kingdoms.”
The protagonist is such a loser. An innate strong man can't beat an acquired zombie. He fights back and forth, and he will be killed by an acquired zombie if he is not careful. Very speechless He obviously has powerful sword skills, but he didn't use them unexpectedly at first. He had to wait until his life was about to think about it. It was very speechless.
First of all, I see that you are also a newbie. Five stars for you. Let's simply evaluate the rest. To be honest, the writing is indeed relatively immature. At the beginning, your writing idea is to briefly describe the environment the protagonist is in, and then directly write about the appearance of the chat group. This way of writing would have been fine in the early days, but the time point has changed. After a large amount of homogeneous content, the chat group appeared at the beginning. In fact, not much can arouse people's interest. Writing this way is not as good as writing directly about what the protagonist has experienced just after traveling to the past. For example, you wrote about the early stage villain Li Hu who kicked the door and caught him out. Don't think that many people don't write such a conflict in the early stage because they don't like the protagonist being aggrieved. As long as your writing is reasonable, the problem is actually not big. Of course, under the premise of being reasonable, the protagonist cannot be stupid or make mistakes. For example, the protagonist was hit by a car and died, and then traveled to a different world. When he first crossed over, he was sitting on a chair in the living room. The moment he crossed over, he happened to hit the door and was kicked open. The huge sound scared the protagonist. At the same time, while he was stunned, several of Li Hu's men started to fight. When he was being dragged, he slowly came back to his senses on the road... Wasn't such a conflict coming out? The protagonist didn't make any mistakes, right? Of course, this is just the general direction of the plot. You must write it in a little more detail, describe the conflict more fully, and then write whether the protagonist is cowardly or something, so that the personality will be highlighted. After these are roughly written, in the idle stage after the ups and downs of a plot are written, that is, the calming stage, you can create a chat group. Because most readers have read books in the form of chat groups, and they all know that as long as you write the beginning of a chat group, you must mention a lot of settings. If these things are concentrated in the first or second chapter, it will basically be difficult to attract people. The above is one of them. Later, when you deal with the small villains in the early stage, your methods are a bit rough. As for the setting you wrote in the early stage, it was a lot of nonsense and lacked anything interesting for the readers. You little villain, you kill him so easily, and you write it exactly the same as if you didn't write it. If you write the plot like this, it doesn't work, so why did you write it? There must be a villain in the early stage, but if you don't write out his evil or disgusting aspects, how can you make readers feel the same empathy and hatred as the protagonist? Let me give you a simple example, which is definitely better than your way of writing. For example, when the protagonist went to find the villain, most of the people who were forced to go out to find supplies came back, and there was one person inside. You could write it as an old man, a woman, or a relatively small child. There were wounds on his body, but at a glance, you would know that the wounds were probably not bitten by zombies. But there is such a risk, and then the villain kills him. You can describe in the narration or profile that he is doing it to establish power or selfishly, and does not want to cause any harm to himself. At this time, you can also design a scene where his family will come and cry. Isn't there conflict? Isn't there evil? There is some rationality. Then the protagonist falls from the sky at this time, right? You can design it however you like. Anyway, the foreshadowing has been laid, the protagonist just needs to kill people and establish his power. It's a bit more exciting, right? It's also full of plot. To sum up the above, writing novels revolves around two parts, conflict, and then having fun.
Before he killed Li Hu and left, he knew who had ill intentions towards him but still kept him. He said he didn't like trouble but didn't kill him. Then he deliberately kept him alive so that he could cause trouble later. How could he kill so decisively?
A small supporting character can beat the protagonist's talent from behind, but only if the protagonist has world-breaking martial arts skills. How rubbish this protagonist was written by the author🈶
Welcome everyone's positive comments!!!
Why did you say it? It's all a lot of verbosity. I'm getting bored just reading it. The word count is very low.
Isn't Tony Stark in the group? , Sell a few big speakers, and a few bombs, isn't it coming? Hehe
Give it three stars... Just barely!
The protagonist is almost invincible after being hit by nature 🤮 🤮 🤮 🤮 🤮 🤮 🤮 🤮 🤮
The protagonist has an innate weapon and a magical weapon, and the newly upgraded acquired weapon has to fight hard, hahaha, it's okay, it's okay