As a high school senior preparing for the college entrance exams, Shan Yiling is anxious every day. Every night, she enters another world and becomes an NPC.
(World One)
The princess whose engagement was broken asks, “Lilith, why doesn’t he like me? I’m so beautiful and clever, and all my subjects adore me.”
Shan Yiling answers offhandedly, “If you really want him, just have him tied up and force him to give in. You’re a princess. Who would dare blame you?”
The princess gives it some thought, destroys the country of the man she loves, locks him in a dark room, and takes the throne as queen.
Shan Yiling: “…”
I don’t think that’s what I said.
(World Two)
The true heiress, abandoned on a garbage planet, keeps questioning her.
“Lilith, why are we living here? Can’t we escape?”
Shan Yiling: “…”
I really don’t want to talk. I’m just an ordinary robot. Why does she have to keep grabbing me and asking questions? Sis! Don’t pull my parts out! I’ll talk, I’ll talk.
Shan Yiling answers mechanically, “Sorry, you don’t have the necessary clearance. Please upgrade and try again.”
The true heiress says, “Oh! You mean I have to keep fighting them and beat them before I can leave?”
Shan Yiling: “…”
I didn’t say that. I didn’t. Don’t put words in my mouth.
After that, the true heiress transforms the entire garbage planet through her own efforts and becomes a planet lord feared throughout the stars.
…
The plot is my favorite style, but I feel that the description can be more natural. For example, the inner drama in brackets feels more natural and can be placed directly in the description. Then the small world and the reality shuttle back and forth make it easier for me to act out the drama.
Smooth writing style, but there are no ups and downs, and the plot is a bit flat